Days of Thunder (1990)
Adventure, Action, Drama • 1h 47m
Overview
Talented but unproven stock car driver Cole Trickle gets a break and with the guidance of veteran Harry Hogge turns heads on the track. The young hotshot develops a rivalry with a fellow racer that threatens his career when the two smash their cars. But with the help of his doctor, Cole just might overcome his injuries-- and his fear.
Director: Tony Scott
Cast: Tom Cruise, Robert Duvall, Nicole Kidman, Randy Quaid, Cary Elwes, Michael Rooker, Fred Thompson, John C. Reilly, J.C. Quinn, Don Simpson, Caroline Williams, Michael Burgess, Gerald R. Molen, Donna W. Scott, Leilani Sarelle, Chris Ellis, Peter Appel, Stephen Michael Ayers, Mike Slattery, John Griesemer, Barbara Garrick, Tania Coleridge, Alexandra Balahoutis, Steve Boyd, Daniel D. Greenwood, Jim Grimshaw, James Martin Jr., Margo Martindale, Jim Crowther, James D. Henson, Cyndi Vicino, Shari Ellis, Xavier Coronel, Nick Searcy, Jerry Punch, Neil Bonnett, Harry P. Gant, Rusty Wallace
Director: Jean Vigo
Director: Jean Vigo
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Robert Rossen
Director: Robert Rossen
Director: Anthony Mann
Director: Anthony Mann
Director: Basil Dearden
Indicator 4K Blu-ray. Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: Basil Dearden
Indicator 4K Blu-ray. Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: Jacques Becker
Director: Jacques Becker
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
2.0: Arrow 4K Blu-ray
UK Arrow 4K Blu-ray has more extras compared to US 4K Blu-ray, which removed the Cadiliac Man featurette and shortened the Michael Tronick and Larry Taylor interviews due to rights issues. The 5.1 on the Arrow 4K Blu-ray is louder and worse.
Director: Tony Scott
2.0: Arrow 4K Blu-ray
UK Arrow 4K Blu-ray has more extras compared to US 4K Blu-ray, which removed the Cadiliac Man featurette and shortened the Michael Tronick and Larry Taylor interviews due to rights issues. The 5.1 on the Arrow 4K Blu-ray is louder and worse.
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
Director: Tony Scott
Director: Stanley Donen
Director: Stanley Donen
Directors: Arturo Perez Jr. & Samantha Jayne
Directors: Arturo Perez Jr. & Samantha Jayne
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Richard Linklater
Director: Richard Linklater
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
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