The Legend of Drunken Master (1994)
醉拳二
Action, Comedy • 1h 42m
Overview
Returning home with his father after a shopping expedition, Wong Fei-Hong is unwittingly caught up in the battle between foreigners who wish to export ancient Chinese artifacts and loyalists who don't want the pieces to leave the country. Fei-Hong must fight against the foreigners using his Drunken Boxing style, and overcome his father's antagonism as well.
Director: Lau Kar-Leung
Cast: Jackie Chan, Ti Lung, Anita Mui, Ram Chiang Chi-Kwong, Lau Kar-Leung, Ken Lo Wai-Kwong, Pak Ho-Sung, Felix Wong Yat-Wah, Hoh Wing-Fong, Chin Ka-Lok, Lau Ga-Yung, Yvonne Yung Hung, Suki Kwan Sau-Mei, Andy Lau, Vindy Chan Wai-Yee, Wong San, Alan Chan Kwok-Kuen, Tai Bo, Lau Siu-Ming, Ha Chun-Chau, Sze-Ma Wah-Lung, Hon Yee-Sang, Yu Sam-Lam, Bao Fang, Vincent Di Tuataane, Chan Hiu-Ying, Bill Tung Biu, Pak Yan, Mark Houghton, Therese Renee, Louis Roth, Cao Ying, Sandy Chan Gei-Ying, Chan Tat-Kwong, Chen Chi-Hwa, Johnny Cheung Wa, Choi Kwok-Keung, William Duen Wai-Lun, Go Shut-Fung, Ho Pak-Kwong, Hon Ping, Hsu Hsia, Mark King, Rocky Lai Keung-Ken, Lai Sing-Kwong, Mars, Ng Kit-Keung, Wan Fat, Sam Wong Ming-Sing
Director: Jean Vigo
Director: Jean Vigo
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Robert Rossen
Director: Robert Rossen
Director: Anthony Mann
Director: Anthony Mann
Director: Jacques Becker
Director: Jacques Becker
Director: Basil Dearden
Indicator 4K Blu-ray. Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: Basil Dearden
Indicator 4K Blu-ray. Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: Lau Kar-Leung
Director: Lau Kar-Leung
Director: George Cukor
Director: George Cukor
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: James Foley
Director: James Foley
Director: Richard Fleischer
Director: Richard Fleischer
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
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