Key Largo (1948)
Crime, Thriller • 1h 40m
Overview
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
Director: John Huston
Cast: Humphrey Bogart, Edward G. Robinson, Lauren Bacall, Thomas Gomez, Lionel Barrymore, Harry Lewis, Dan Seymour, William Haade, Claire Trevor, John Rodney, Marc Lawrence, Monte Blue, Rodd Redwing, Jay Silverheels, Alberto Morin, Pat Flaherty, Jerry Jerome, John Phillips, Beulah Archuletta, John Litel
Director: John Huston
2023 WB 4K Blu-ray
2023 WB 4K Blu-ray
Director: John Huston
2023 WB 4K Blu-ray
2023 WB 4K Blu-ray
Director: John Huston
Director: John Huston
Director: John Huston
Criterion 4K Blu-ray see nic's review "fantastic restoration, beautifully graded with tasteful HDR and solid encoding"
Criterion 4K Blu-ray from nic: "4.0 audio is brilliantly detailed, rich and spacious without audible filtering or processing"
Director: John Huston
Criterion 4K Blu-ray see nic's review "fantastic restoration, beautifully graded with tasteful HDR and solid encoding"
Criterion 4K Blu-ray from nic: "4.0 audio is brilliantly detailed, rich and spacious without audible filtering or processing"
Director: John Huston
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
Director: John Huston
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
Director: John Huston
Director: John Huston
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Director: John Huston
Director: John Huston
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: Cecil B. DeMille
Director: Cecil B. DeMille
Director: Elia Kazan
Director: Elia Kazan
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Jacques Tourneur
Director: Jacques Tourneur
Director: Abel Ferrara
Director: Abel Ferrara
Director: Anthony Mann
Director: Anthony Mann
More Crime on Blu-ray
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Alexander Hall
Director: Alexander Hall
Director: Norman Taurog
Kino Lorber Blu-ray 4K restoration
Director: Norman Taurog
Kino Lorber Blu-ray 4K restoration
Film Detective or Film Masters Blu-ray 4K restoration from 35mm Original Camera Negative
Film Detective or Film Masters Blu-ray 4K restoration from 35mm Original Camera Negative
Director: Jean Becker
Kino Lorber Blu-ray is a transfer from StudioCanal’s 2021 4K restoration
Director: Jean Becker
Kino Lorber Blu-ray is a transfer from StudioCanal’s 2021 4K restoration
Director: Lewis Milestone
Flicker Alley Blu-ray 2K scan of a surviving 35mm safety fine grain provided by the Academy Film Archive
Director: Lewis Milestone
Flicker Alley Blu-ray 2K scan of a surviving 35mm safety fine grain provided by the Academy Film Archive
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
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