Escape to Victory (1981)
Drama, War • 1h 56m
Director: John Huston
Cast: Sylvester Stallone, Michael Caine, Max von Sydow, Pelé, Carole Laure, Bobby Moore, Osvaldo Ardiles, Paul Van Himst, Kazimierz Deyna, Mike Summerbee, Co Prins, Russell Osman, Søren Lindsted, Kevin O'Callaghan, Gary Waldhorn, George Mikell, Laurie Sivell, Arthur Brauss, Robin Turner, Michael Wolf, Jürgen Andersen, David Shawyer, Werner Roth, Amidou, Benoît Ferreux, Jean-François Stévenin, Jack Lenoir, Zoltán Gera, Tim Pigott-Smith, Julian Curry, Clive Merrison, Maurice Roëves, Michael Cochrane, Jack Kendrick, Daniel Massey, Anton Diffring, Gunter Wolbert, Capacci Eolo, Michel Drhey, Hallvar Thoresen
Compare the discs
About the film
A group of POWs in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
- Alternative Titles
- Victory, Escape to Victory
Director: John Huston
Sources: Blu-ray.com (opens in a new tab)
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
Director: John Huston
Director: John Huston
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Criterion 4K Blu-ray see nic's review "fantastic restoration, beautifully graded with tasteful HDR and solid encoding"
Criterion 4K Blu-ray from nic: "4.0 audio is brilliantly detailed, rich and spacious without audible filtering or processing"
Director: John Huston
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
4K restoration of the original 3D left eye and right eye camera negatives
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Director: George Pal
4K restoration from Original Camera Negative
Director: Compton Bennett
4K restoration from original technicolor negatives
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
More Drama on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Sidney Lumet
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is an FiM encode
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