Doomsday (2008)
Action, Thriller, Science Fiction • 1h 48m
Director: Neil Marshall
Cast: Rhona Mitra, Bob Hoskins, Adrian Lester, Alexander Siddig, David O'Hara, Malcolm McDowell, Sean Pertwee, MyAnna Buring, Emma Cleasby, Caryn Peterson, Adeola Ariyo, Christine Tomlinson, Vernon Willemse, Paul Hyett, Craig Conway, Lee-Anne Liebenberg, Darren Morfitt, Leslie Simpson, Chris Robson, Axelle Carolyn, Karl Thaning, Jason Cope, Stephen Hughes, Ryan Kruger, Martin Ball, Jeremy Crutchley, Tom Fairfoot, Nora-Jane Noone, Nathalie Boltt, Rick Warden, Cal MacAninch, Eloise Cupido, Lily Anderson, Cokey Falkow, John Carson, Hennie Bosman, Martin Compston, Az Abrahams, Susan Danford, Alessia Ramazzotti, Shaamilla Noordien, Nicholas Pauling, Riaz Solker, Porteus Xandau, Benedict Carver, Daniel Read, Nathan Wheatley, Cecil Carter, Tyrell Kemlo, Garry George, George Bailey, Dermot Brogan, Amy Barnes, D-Teflon, Kate-Lynn Hocking, Chris Wilson, Andrew Moore, Nieve Jennings
Best English-friendly & video release
(Theatrical is the only cut in 4K)
Updated 1 year ago
About the film
The lethal Reaper virus spreads throughout Britain—infecting millions and killing hundreds of thousands. Authorities brutally and successfully quarantine the country but, three decades later, the virus resurfaces in a major city. An elite group of specialists is urgently dispatched into the still-quarantined country to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare.
- Alternative Titles
- Doomsday - Unrated
Director: Neil Marshall
Sources: slow.pics (opens in a new tab)
UK StudioCanal 4K Blu-ray or FR Pathé 4K Blu-ray share the same disc (caps)
The StudioCanal UHD has a much better encode than the Lionsgate UHD with the same grade. The Vuelta UHD has a decent encode but it is in an incorrect color space and has German overlays.
UK disc includes only 5.1.
The 7.1 mix included on the Lionsgate UHD appears to be identical to the 2006 USA BD's LPCM 7.1 track and to be a straight transfer of the theatrical Dolby Digital Surround EX mix (originally matrixed 6.1, with the rear surrounds in the discrete 7.1 presentation being dual mono). The old GER BD has a 6.1 mix but it is a poor remix and the GER UHD has an Auro-3D remix of the 7.1 mix (mostly adjusted surround levels). All other discs offer a 5.1 mix, including the Studio Canal UHD
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Michael Cimino
2020 Shout! Factory 4K
2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV
35mm mix: 1991 Universal LaserDisc
70mm mix: StudioCanal 4K Blu-ray
35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.
70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.
Director: Rob Reiner
Arrow 4K Blu-ray releasing December 14 2026
Like many of Capelight's other releases, the 4K Blu-ray is low-passed but still looks good.
30th Anniversary Shout! Factory BD has the original stereo mix
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's an older master.
Sources: Blu-ray.com (opens in a new tab) · YouTube (opens in a new tab)
Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison
Warner Bros Blu-ray for the uncut version, but it's an older master.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
US Shout! Factory or UK Arrow 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Gus Van Sant
Sources: slow.pics (opens in a new tab)
Shout! Factory and Carlotta use the same scan https://slow.pics/c/Wcn5YFlw, the Carlotta has two extra bonus features
Director: Michael Mann
More Action on Blu-ray
Director: Buster Keaton
Kino Lorber new Seven Chances / Sherlock Jr. Blu-ray?
Sources: slow.pics (opens in a new tab)
MoC 4K Blu-ray late 2027
Lobster Films (Kino Lorber?) > Cohen/Eureka https://slow.pics/c/3KWXoMyR The new Kino Lorber's Seven Chances / Sherlock Jr. might be using the same restoration as Lobster Films
Director: George Lucas
Video format: UHD Blu-ray
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Director: Michael Anderson
Arrow 4K Blu-ray scheduled for Dec 2026 release
Paramount 4K Blu-ray Purist choice: Blu-ray
Sources: YouTube (opens in a new tab)
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
Director: Lam Nai-choi
88 Films UK or Vinegar Syndrome US Blu-ray (preference)
Different color gradings, 88 Films disc is encoded by FiM but Vinegar Syndrome encode (by Marcus Johnson) is more than robust
Vinegar Syndrome potentially has better audio than 88 Films, due to VinSyn possibly having EQ'd the audio mix after Fortune Star scanned the track in a way that makes it sound too hot, whereas 88 left it alone without addressing that issue. However, no direct comparisons exist
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