The Last Hurrah (1958)
Drama • 1h 57m
Overview
In a changing world where television has become the main source of information, Adam Caulfield, a young sports journalist, witnesses how his uncle, Frank Skeffington, a veteran and honest politician, mayor of a New England town, tries to be reelected while bankers and captains of industry conspire in the shadows to place a weak and manageable candidate in the city hall.
Director: John Ford
Cast: Spencer Tracy, Jeffrey Hunter, Dianne Foster, Pat O'Brien, Basil Rathbone, Donald Crisp, James Gleason, Edward Brophy, John Carradine, Willis Bouchey, Basil Ruysdael, Ricardo Cortez, Wallace Ford, Frank McHugh, Carleton Young, Frank Albertson, Bob Sweeney, William Leslie, Anna Lee, Ken Curtis, Jane Darwell, O.Z. Whitehead, Arthur Walsh, Charles B. Fitzsimons, James Flavin, William Forrest, Jack Pennick, Helen Westcott, Phil Adams, Alex Akimoff, Fred Aldrich, Richard Alexander, Leon Alton, Don Anderson, Walter Bacon, Frank Baker, Bobette Bentley, Steve Benton, Gail Bonney, Danny Borzage, Paul Bradley, Chet Brandenburg, Rand Brooks, George Bruggeman, John Bryant, James J. Casino, Jack Chefe, Dick Cherney, George Chester, Noble 'Kid' Chissell, Charles Cirillo, Richard Dale Clark, Ruth Clifford, Edmund Cobb, Bud Cokes, Russell Custer, Hal K. Dawson, Richard Deacon, John Deauville, Jack Deery, George DeNormand, Joe Devlin, James Dime, Mike Donovan, Clint Dorrington, Mimi Doyle, Tommy Earwood, Richard Elmore, Eddie Fetherston, Duke Fishman, George Ford, Joseph Forte, Raoul Freeman, Helen Gereghty, Kenneth Gibson, James Gonzalez, Sam Harris, Ed Haskett, Jack Henderson, William Henry, Chuck Hicks, Stuart Holmes, Shep Houghton, Chuck Howard, William Hudson, Charles Anthony Hughes, Thomas E. Jackson, William Janssen, Michael Jeffers, Roy Jenson, Rolan Jones, Richard Keene, Fred Kennedy, Colin Kenny, Ann Kunde, Joseph La Cava, Webster Lagrange, Harry Lauter, Johnny Leone, Robert Levin, Robert Locke Lorraine, Edmund Lowe, Wilbur Mack, Hank Mann, Eve March, Frank Marlowe, Mae Marsh, Philo McCullough, Joe McGuinn, Frank McLure, Edward McNally, Paul McVey, Harold Miller, Ernesto Molinari, Charles Morton, Sol Murgi, Jimmy Murphy, Forbes Murray, George Nardelli, Bill Neff, William H. O'Brien, Brian O'Hara, Joe Palma, Emma Palmese, Harvey Parry, Bob Perry, Murray Pollack, Paul Power, Fred Rapport, Edward Rickard, Clete Roberts, Molly Roden, Victor Romito, John Roy, Buck Russell, Dick Ryan, Cosmo Sardo, Frank J. Scannell, Bernard Sell, Jordan Shelley, Charles Sherlock, Carl Sklover, Stephen Soldi, George Spaulding, Bert Spencer, Ted Stanhope, Anna Stein, Harry Strang, Brick Sullivan, Charles Sullivan, Frank Sully, Julius Tannen, Harry Tenbrook, Jack Tornek, Charles Trowbridge, Phil Tully, Harry Tyler, Ruth Warren, James Waters, Chalky Williams, Bert Stevens
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
Director: John Ford
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: John Ford
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: John Ford
The audio on the Warner Archive Blu-ray is appalling. It starts to cutoff at around 6kHz to have nothing above 10kHz. The LaserDisc is much more full-frequency.
Director: John Ford
The audio on the Warner Archive Blu-ray is appalling. It starts to cutoff at around 6kHz to have nothing above 10kHz. The LaserDisc is much more full-frequency.
Director: John Ford
Director: John Ford
Director: John Ford
Director: John Ford
Director: John Ford
Director: John Ford
Director: John Ford
Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation
Director: John Ford
Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation
Director: John Ford
Warner Archive Blu-ray 4K restoration from original Technicolor negatives
Director: John Ford
Warner Archive Blu-ray 4K restoration from original Technicolor negatives
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Albert Brooks
Director: Albert Brooks
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: James Bridges
Director: James Bridges
Director: Bill Forsyth
Director: Bill Forsyth
Director: Stuart Heisler
Director: Stuart Heisler
Director: Jean Rollin
Director: Jean Rollin
Director: David Hemmings
Director: David Hemmings
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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