Chuck Hicks
20 Films
Chuck Hicks
20 Included Films
Director: Otto Preminger
Director: Otto Preminger
Director: Otto Preminger
Director: Otto Preminger
Director: Michael Curtiz
Director: Michael Curtiz
Director: Raoul Walsh
Director: Raoul Walsh
Director: Nicholas Ray
Director: Nicholas Ray
Director: Samuel Fuller
Director: Samuel Fuller
Director: Samuel Fuller
Director: Samuel Fuller
Director: Blake Edwards
Director: Blake Edwards
Director: John Boorman
Director: John Boorman
Director: Stuart Rosenberg
Director: Stuart Rosenberg
Director: Don Siegel
WB 4K Blu-ray despite extreme frozen grain in moments, overzealous HDR brightness in outdoor sequences, color timing shifts in some shots
Original Mono Mix: 1990's LaserDisc stereo remix folded back to mono, original VHS and Beta Hifi, WB 4K Blu-ray mono
Director: Don Siegel
WB 4K Blu-ray despite extreme frozen grain in moments, overzealous HDR brightness in outdoor sequences, color timing shifts in some shots
Original Mono Mix: 1990's LaserDisc stereo remix folded back to mono, original VHS and Beta Hifi, WB 4K Blu-ray mono
Director: Hugh A. Robertson
Director: Hugh A. Robertson
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Clint Eastwood
Director: Clint Eastwood
Director: Gore Verbinski
Shout Factory 4K Blu-ray encoding is much better caps Paramount 4K Blu-ray is disappointing capsule review
Director: Gore Verbinski
Shout Factory 4K Blu-ray encoding is much better caps Paramount 4K Blu-ray is disappointing capsule review
20 films