Desire (1936)
Romance, Crime, Comedy, Drama • 1h 35m
Director: Frank Borzage
Cast: Marlene Dietrich, Gary Cooper, John Halliday, William Frawley, Ernest Cossart, Akim Tamiroff, Alan Mowbray, Zeffie Tilbury, George MacQuarrie, Robert Emmett O'Connor, George Davis, Enrique Acosta, Stanley Andrews, Harry Antrim, Rafael Blanco, Stephen Chase, Blanche Craig, Anna De Linsky, Harry Depp, Oliver Eckhardt, Constant Franke, Gaston Glass, Armand Kaliz, Isabel La Mal, Marc Lawrence, Rollo Lloyd, Tony Merlo, Bob O'Connor, Alfonso Pedroza, Albert Pollet
Best English-friendly & video release · updated 25 days ago
While Indicator Blu-ray used a newer 4K restoration from 2022 instead of the older 2K restoration, Kino Lorber has the original aspect ratio, and the Indicator Blu-ray looks very soft in comparison see comparison
Overview
Madeleine steals a string of pearls in Paris and uses American engineer Tom, who is driving on his vacation to Spain, to get the pearls out of France. But getting the pearls back from him proves to be difficult without falling in love.
Director: Frank Borzage
Undercrank Frank Borzage: 1922 Silents Blu-ray
Undercrank Frank Borzage: 1922 Silents Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Frank Borzage
Video format: 1080p Blu-ray
Kino Lorber Blu-ray 4K scan from the 35mm B&W nitrate original negative and 35mm B&W composite fine grain
Director: Frank Borzage
Sources: Criterion Forum (opens in a new tab)
No comparison available, but from track record, Indicator Blu-ray is likely better than Kino Lorber
Director: Frank Borzage
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
BFI Blu-ray with minimal encoding improvement compared with Kino Lorber Blu-ray see DVDBeaver caps
BFI has alternative ending as extras that's not present on Kino Lorber
Director: Frank Borzage
Sources: academymuseum.org (opens in a new tab)
4K restoration has no home media release yet
Director: Preston Sturges
No information on French Elephant Films Blu-ray
Director: Martin Scorsese
Other releases have horrendous DNR
Sources: YouTube (opens in a new tab)
Sourced from a 4K scan of the 35mm Fine Grain. Even with its unfortunate and noticeable print damage, tears, and other issues, still easily beats any prior disc release, though the Imprint BD (same master as Kino, but inferior encode) included in their Essential Film Noir Collection Vol. 3 set does include more extras. https://youtu.be/-Wrsn6-XJCo
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Criterion Box Set coming October 20th with FiM encode
Director: John Frankenheimer
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
Director: Lewis Teague
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
R1 DVD
R1 DVD sounds best and has the original mono and a Dolby Stereo remix
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has excellent master in SDR and a good encode. BD caps here.
Kino Lorber 4K Blu-ray has poor audio: The 2.0 is fine but unremarkable, the 5.1 is presumably an upmix with a botched, strongly raised LFE channel which makes the entire track unlistenable on well-tuned equipment. Audio graphs here.
Kino Lorber Blu-ray or Germany Blu-ray but no comparison available
Germany Blu-ray doesn’t have good encoding, with visible blocking and banding etc.
Germany Blu-ray lacks English subtitles. Kino Lorber Blu-ray has English subtitles but is OOP
Kino Lorber Blu-ray retains both the French and German dialogue in their native languages.
More Romance on Blu-ray
Director: Sofia Coppola
Director: Roman Polanski
Kino Lorber disc has audio pitch errors
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Rose Glass
Video format: 1080p Blu-ray
Shout Factory Blu-ray
Shout's BD has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Director: Alfred Hitchcock
Sources: Criterion Forum (opens in a new tab)
For Blu-ray Criterion Demy Set > StudioCanal
Director: Howard Hawks
Sources: Criterion Forum (opens in a new tab)
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
(same as all tracks since the DVD)
Criterion 4K Blu-ray see caps
Phenomenal disc, and perhaps the single greatest testament to NexSpec's positive 180 this year. Highlights are beautifully handled and grain structure is fully intact in areas where NexSpec's (and Pixelogic's) encodes would frequently fall apart in 2025 and before then. Criterion BD encode also looks to be robust from linked caps, save for this one frame: https://slow.pics/c/cMjMefmi
Kino BD has original stereo mix.
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