Double Indemnity (1944)
Crime, Thriller • 1h 46m
Director: Billy Wilder
Cast: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson, Porter Hall, Jean Heather, Tom Powers, Byron Barr, Richard Gaines, Fortunio Bonanova, John Philliber, John Berry, Raymond Chandler, Edmund Cobb, Kernan Cripps, Bess Flowers, Eddie Hall, Teala Loring, Sam McDaniel, Billy Mitchell, Clarence Muse, Douglas Spencer, Harold Garrison, James Adamson, Betty Farrington, George Magrill, Constance Purdy, Dick Rush, Floyd Shackelford, Oscar Smith, Miriam Nelson, Mona Freeman, Florence Wix
Best English-friendly & video release · updated 2 months ago
UHD tiers
Overview
A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy.
Director: Alfred Hitchcock
Director: Howard Hawks
Sources: Criterion Forum (opens in a new tab)
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Criterion Box Set coming on October 20th with FiM encode
DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray
Director: Stanley Kubrick
Criterion Box Set coming October 20th with FiM encode, new restoration of mono mix which should be better than what was on the WB 4K Blu-ray and 1999 DVD and revised colour timing to make the film look more like it did in 1971.
WB 4K 5.1: a remix but has higher fidelity
Mono: 4K Blu-ray/1999 DVD
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set coming October 20th with FiM encode, both the US and the International Cut, new restoration/remastering of the mono mix which should be better than the 1999 WB DVD, revised colour timing to make the film look more like it did in 1980 and for the first time ever on physical media, the film will be in its original aspect ratio of 1.85:1.
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Flicker Alley 4K confirmed for 2027 https://forum.blu-ray.com/showpost.php?p=24404584&postcount=1
MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
> Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
But still a bit overly noise-managed.
1984 CBS/Fox Hi-Fi VHS maybe better?
Director: Billy Wilder
Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source
Kino Lorber 4K Blu-ray / Paramount EU Blu-ray
Old Warner Bros US release is inferior.
Director: Billy Wilder
Sources: caps-a-holic (opens in a new tab)
UK MoC Blu-ray has the better encoding
US Kino Lorber Blu-ray has inferior encoding and likely suffers from the Quicktime Gamma Bug see caps
MOC Blu-ray or MGM Laserdisc
Eureka MOC is far superior to Kino with also more printed booklet extras. The reconstruction work, transfer and extras date back to MGM's Laserdisc attempt. The LD master and materials were ported to the MGM DVD which in turn was paired with an updated HD master for the BDs. The film still cries out for a proper modern restoration and reconstruction attempt with the partially surviving cut sequences. The extras on LD also have PCM audio and one of the visuals in one of the cut episodes is more untouched which is censored for nudity on the modern versions. It's small but the particular element has been blurred on most versions today.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Director: Billy Wilder
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
Kino UHD has frozen grain and other artifacts from a Paramount master with the usual lackluster Kino encoding.
Director: Billy Wilder
Sources: caps-a-holic (opens in a new tab)
Germany Plaion Blu-ray has better encoding and Kino Lorber Blu-ray likely suffers from the Quicktime Gamma Bug, see caps
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Germany Plaion Blu-ray has the best encoding, and both MoC and Kino Lorber Blu-ray have Quicktime Gamma Bug see caps
For encoding, Plaion > MoC > Kino Lorber
Director: Billy Wilder
Sources: Blu-ray.com (opens in a new tab)
Director: Peter Bogdanovich
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Eureka UK are considering doing a 4K and actively exploring the possibility: https://forum.blu-ray.com/showpost.php?p=24363810&postcount=264
Wonderful underlying remaster by Criterion and Resillion, but NexSpec encode has clipped highlights with the occasional blockiness. The Criterion Blu-Ray, sourced from their 4K remaster, ironically makes for a more consistent and overall pleasing experience.
Director: Luis Buñuel
Sources: Criterion Forum (opens in a new tab)
Director: Ingmar Bergman
Sources: Criterion Forum (opens in a new tab)
For Blu-ray Criterion Demy Set > StudioCanal
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab)
See chris's review
1991 Daiei LaserDisc
Sources: Criterion Forum (opens in a new tab)
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
(same as all tracks since the DVD)
Criterion 4K Blu-ray see caps
Phenomenal disc, and perhaps the single greatest testament to NexSpec's positive 180 this year. Highlights are beautifully handled and grain structure is fully intact in areas where NexSpec's (and Pixelogic's) encodes would frequently fall apart in 2025 and before then. Criterion BD encode also looks to be robust from linked caps, save for this one frame: https://slow.pics/c/cMjMefmi
Director: Stanley Kubrick
Criterion Box Set coming October 20th with FiM encode, new restoration/remastering of the mono mix which should be better than the 1999 WB DVD, revised colour timing to make the film look more like it did in 1987 and for the first time ever on physical media, the film will be in its original aspect ratio of 1.85:1.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Criterion Box Set coming October 20th with FiM encode
Kino BD has original stereo mix.
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