Cluny Brown (1946)
Romance, Comedy • 1h 40m
Overview
Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate.
Director: Ernst Lubitsch
Cast: Charles Boyer, Jennifer Jones, Peter Lawford, Helen Walker, Reginald Gardiner, Reginald Owen, C. Aubrey Smith, Margaret Bannerman, Sara Allgood, Ernest Cossart, Una O'Connor, Florence Bates, Richard Haydn, Billy Bevan, Whit Bissell, Christopher Severn, Billy Gray, Constance Purdy, Queenie Leonard
Director: Garson Kanin
Director: Garson Kanin
Director: Gregory La Cava
Criterion Blu-ray, although there's a bit of aggressive grain management see https://forum.blu-ray.com/showpost.php?p=15853770&postcount=43
Director: Gregory La Cava
Criterion Blu-ray, although there's a bit of aggressive grain management see https://forum.blu-ray.com/showpost.php?p=15853770&postcount=43
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Richard Wallace
Director: Richard Wallace
Director: Will Jason
Unofficial Streaming
Director: Will Jason
Unofficial Streaming
Director: Edward Buzzell
Warner Archive Esther Williams: Volume 1 DVD
Warner Archive Esther Williams: Volume 1 DVD.
Also available on SD Streaming
Director: Edward Buzzell
Warner Archive Esther Williams: Volume 1 DVD
Warner Archive Esther Williams: Volume 1 DVD.
Also available on SD Streaming
Director: Howard Hawks
Warner Archive DVD. Also available on Amazon Streaming in SD
Director: Howard Hawks
Warner Archive DVD. Also available on Amazon Streaming in SD
Director: W.S. Van Dyke
Director: W.S. Van Dyke
Director: Ernst Lubitsch
Subjective, but the concertina score by Bernard Wrigley on the OOP MoC Blu-ray is generally regarded as very weak. For example, it frequently doesn't match the action. The Meg Morley score on the Kino Lorber Blu-ray is considered superior.
Director: Ernst Lubitsch
Subjective, but the concertina score by Bernard Wrigley on the OOP MoC Blu-ray is generally regarded as very weak. For example, it frequently doesn't match the action. The Meg Morley score on the Kino Lorber Blu-ray is considered superior.
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Ernst Lubitsch
The 1997 LaserDisc has more high end detail in the audio than the new restoration
Director: Ernst Lubitsch
The 1997 LaserDisc has more high end detail in the audio than the new restoration
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Rob Reiner
Director: Rob Reiner
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
Director: Billy Wilder
Director: Billy Wilder
Director: Martin Ritt
Director: Martin Ritt
Director: Andrzej Wajda
Director: Andrzej Wajda
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