Shout! Factory 4K Blu-ray
Best English-friendly release · updated 1 year ago
UHD tiers
Overview
In an ancient time when majestic fire-breathers soared through the skies, a knight named Bowen comes face to face and heart to heart with the last dragon on Earth, Draco. Taking up arms to suppress a tyrant king, Bowen soon realizes his task will be harder than he'd imagined: If he kills the king, Draco will die as well.
Director: Rob Cohen
Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2
The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.
Original 5.1 mix: Universal Blu-ray
The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).
The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.
Director: Rob Cohen
Germany Turbine 4K Blu-ray > US Kino Lorber 4K Blu-ray
comparison between the Turbine and Kino grades. The former is director-supervised.
(The Kino Lorber 4K Blu-ray DTS HD5.1 seems to have stronger bass, but it's yet unclear which one has the original 5.1) Also see thread.
The Kino Lorber 4K Blu-ray was recalled shortly after inital releases for unknown reasons.
Director: John Carpenter
Universal 4K Blu-ray. Maybe Turbine Blu-ray instead for better audio?
1997? Signature Collection LD
Good: 2017 Arrow and 2016 Shout! Factory Blu-ray have the original audio options.
the only track on Universal 4K, which is in DTS:X, has a mixing error of around 6dB too low on side channels, otherwise very similar to other 5.1 mixes.
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
2026 Criterion 4K Blu-ray, confirmed to be uncut
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: John Badham
Arrow 4K Blu-ray in November
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK /Capelight DE 4K Blu-ray > Kino Lorber US 4K Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino Lorber release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some are better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LaserDisc track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout! Factory Blu-rays was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LaserDisc audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow Blu-ray included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino Lorber only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
The best source for the commentaries are from the 2003 Special Edition DVD.
Directors: Frank Oz & Jim Henson
LaserDisc, Shout! Factory's 2.0 is a downmix of the 5.1
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Michael Mann
Shout! Factory 4K Blu-ray upcoming, Director's Final Cut premiering October 3rd; will receive home video release in the future
Director: Henry Selick
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray caps
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Oliver Stone
Theatrical Cut 4K Blu-ray in August
Director's Cut: Shout! Factory 4K Blu-ray
Theatrical Cut: Shout! Factory Blu-ray (included with collector's edition)
Theatrical Cut: The Shout UHD DTS-HD 2.0 seems to be the same mix overall as the 1992 laserdisc PCM 2.0 but its not a straight port. Even though there are some minor differences, it does not seem to be a downmix of the 5.1. It could possibly be a new mastering. It has just a tiny bit more dynamic range than the laserdisc, but the laserdisc has a bit more presence in the lower and midrange frequencies.
More Fantasy on Blu-ray
Director: Mamoru Oshii
US GKIDS 4K Blu-ray authored by FiM
US GKIDS/Australia Umbrella 4K Blu-ray authored by FiM
UHD vs BD comparisons
4K restoration includes a high-fidelity Dolby Atmos remix sourced from new transfers of original magnetic elements, with inconsequential content differences from the original mono mix. Umbrella 4K Blu-ray only includes a 5.1 mixdown of the remix, other discs have it in Dolby Atmos.
Umbrella/GKIDS 4K Blu-ray's 2.0 track is a stereo downmix. Older BDs and LDs have the original mono mix in varying quality, but are all inferior in fidelity to the new 5.1 remix. The digital track on the Bandai/Emotion Japan LaserDisc BELL-942 is the best of the bunch.
https://forum.blu-ray.com/showpost.php?p=23714400&postcount=159
Only the GKIDS 4K Blu-ray has the English dub.
WB 4K Blu-ray see caps and comparison video
3D version: Paramount 3D Blu-ray
Paramount 4K Blu-ray on October 26 2026
3D version: Paramount 3D Blu-ray
Director: René Cardona
Directors: Bill Roberts & Paul Satterfield & Wilfred Jackson & Ben Sharpsteen & James Algar & T. Hee & Hamilton Luske & Samuel Armstrong & Jim Handley & Norman Ferguson & David Hand & Ford Beebe Jr.
1991 CAV LaserDisc includes an approximation of the original Fantasound mix in Dolby Surround using the surviving magnetic mixdown, using Stokowski's original mixing notes as a reference. Original aggressive pans and dynamic range are left in tact.
The 2000 DVD uses this same mix in discrete 5.0, but with some unnecessary dynamic range compression + a redub of all Deems Taylor audio with Corey Burton.
The 7.1 mix on the 2010 Blu-ray sounds poor, having been hit with excessive noise reduction, dynamic range compression, original aggressive pans no longer in tact, and the channel usage no longer resembles Stokowski's original intended sound design.
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
4K restoration shown in IMAX cinemas
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
Japanese audio: 2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray/US GKIDS Blu-ray
English dub (Disney): 1998 US Disney VHS has better sounding vocals despite altered music and sound effects, the US Disney LaserDisc has limited audio
Releases from 2010 onward have the original music and sound effects, but distorted vocals
English dub (Streamline): 1996 Japan LaserDisc, available in Ghibli Aa Ippai Collection boxset
UK 88 Films 4K Blu-ray in November encoded by FiM
Director: Marcell Jankovics
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