Timothy Carey

9 films on Best Blurays3 in 4K6 in HD

Wikipedia: Timothy Agoglia Carey (born March 11, 1929, Brooklyn, New York – died May 11, 1994, Los Angeles, California) was an American film and television actor. Carey wrote, produced, directed and starred in the 1962 feature The World's Greatest Sinner which was scored by Frank Zappa. Although it did not have wide commercial release, the film has achieved cult status through repeated screenings at the "midnight movies" in Los Angeles in the 1960s. This movie established Carey as an important figure in independent film. As an actor, Carey appeared in the Stanley Kubrick films The Killing and Paths of Glory, and in the John Cassavetes-directed films Minnie and Moskowitz and The Killing of a Chinese Bookie. He had roles in East of Eden, The Wild One, One-Eyed Jacks and Beach Blanket Bingo. He played a minor role as the Angel of Death in the comedy film D.C. Cab, and appeared in the Monkees vehicle Head. His final appearance was in the 1986 movie Echo Park. Carey also did a select amount of acting on TV from the 1950s through the 1980s. Carey's image appears behind George Harrison on the cover of the Beatles album Sgt Pepper's Lonely Hearts Club Band. Unfortunately, his cutout is obscured by Harrison. Outtake photos from the "Pepper" session show his full face from the movie "The Killing". Timothy Carey died from a stroke in 1994, aged 65.

Biography from Wikipedia via TMDB

By format

List

The Killing of a Chinese Bookie (1976)

Leading role · Director: John Cassavetes

Best English-Friendly & Video:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)

Video Notes:

BFI suffers from Quicktime Gamma Bug see caps

3.9

Minnie and Moskowitz (1971)

Supporting role · Director: John Cassavetes

Video format: HD Streaming

Best English-Friendly & Video:

HD Streaming

3.9

One-Eyed Jacks (1961)

Supporting role · Director: Marlon Brando

Best English-Friendly & Video:

UK Arrow Blu-ray

Sources: Criterion Forum (opens in a new tab)

Video Notes:

UK Arrow Blu-ray is slightly better than Criterion or Germany Spirit Blu-ray

The Killing (1956)

Supporting role · Director: Stanley Kubrick

4K · Excellent

Best English-Friendly & Video:

Kino Lorber 4K Blu-ray

Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)

Video Notes:

The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons

Best Audio:

Anything other than Criterion 4K/Blu-ray

Audio Notes:

All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.

MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.

Additional Info:

The Criterion Complete Kubrick and Imprint 1953-1957 sets include remastered BDs. All standalone releases are from an earlier master.
Arrow UK Blu-ray has an exclusive isolated score & effects track. Kino Lorber and Imprint have an exclusive commentary each.

I'll Cry Tomorrow (1955)

Small role · Director: Daniel Mann

Best English-Friendly & Video:

Warner Archive Blu-ray

3.4

Paths of Glory (1957)

Small role · Director: Stanley Kubrick

4K · Excellent

Best English-Friendly, Video & Audio:

US Criterion 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Video Notes:

US Criterion 4K Blu-ray > UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding

The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.

Audio Notes:

From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"

Additional Info:

Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.

4.5