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I'll Cry Tomorrow (1955)
I'll Cry Tomorrow (1955) poster

I'll Cry Tomorrow (1955)

Drama • 1h 57m

Director: Daniel Mann

Best video release

Updated 10 months ago


About the film

Deprived of a normal childhood by her ambitious mother, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood sweetheart, David Tredman, he dies and Lillian takes her first drink of many down the road of becoming an alcoholic.

Alternative Titles
I'll Cry Tomorrow

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Director: Vincente Minnelli

Best Video:

Warner Archive DVD

Director: Roy Del Ruth

Video Notes:

4K restoration of the original 3D left eye and right eye camera negatives

Director: Ernst Lubitsch

Video Notes:

4K restoration from Original Camera Negative

Director: Richard Brooks

Video Notes:

4K restoration from Original Camera Negative

Director: Vincent Sherman

Video Notes:

4K restoration from Original Camera Negative

Director: George Pal

Video Notes:

4K restoration from Original Camera Negative

Director: Compton Bennett

Video Notes:

4K restoration from original technicolor negatives

Director: Jack Conway

Video Notes:

4K restoration from safety preservation elements

Director: George B. Seitz

Video Notes:

4K restoration from safety preservation elements

More Drama on Blu-ray

Director: Vittorio De Sica

Best Video & Audio:

2020 Arrow Blu-ray

Sources: Criterion Forum (opens in a new tab)

Video Notes:

2020 Arrow Blu-ray is new 4K restoration and encoded by FiM.

Directors: Michael Powell & Emeric Pressburger

4K · Excellent
Best Video & Audio:

Imprint 4K Blu-ray

Additional Info:

Imprint AU 4K is world UHD debut and encoded by FiM. Part of the The Cinema Of Powell & Pressburger - Collection Two set.

Director: Anthony Mann

Best Video & Audio:

Shout! Factory Blu-ray

Additional Info:

Shout! Factory's Blu-ray has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout! Factory disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.

Director: Anthony Mann

Best Video & Audio:

Kino Lorber Blu-ray

Additional Info:

This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino Lorber Blu-ray is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The Blu-ray does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.

Director: Jonathan Demme

4K · Excellent
Best Video:

Arrow 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Audio:

1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion

Audio Notes:

Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.

Additional Info:

Criterion Blu-ray has exclusive extras, Arrow UHD has the most extras of any release

Director: Robert Altman

4K · Excellent

Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)

Video Notes:

Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.

YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.

Director: Roman Polanski

4K · Solid

Sources: Blu-ray.com (opens in a new tab)

Upcoming Release:

UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379

Video Notes:

Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)

Director: Alan J. Pakula

Best Video:

Olive Films Blu-ray

Director: Vincente Minnelli

Best Video:

MGM Blu-ray

Director: Steve Gordon

Best Video:

WB Blu-ray

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vanshady

· last reviewed 10 months ago

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