MoC 4K Blu-ray, both Kino Lorber and German Filmjuwelen 4K Blu-ray have poor encode. See nicolas review on Eureka Blu-ray. Italian seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and Italian shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.Kino Lorber’s 4K. Italian seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and Italian’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.Eureka 4K (BD-100). Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.I’d still recommend the Eureka 4K as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K for my future viewings due to the FiM encode.

MoC 4K Blu-ray, both Kino Lorber and Germany Filmjuwelen 4K Blu-ray have poor encode. See nicolas review on Eureka Blu-ray. It seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and it shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.Kino Lorber 4K Blu-ray: It seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.Eureka 4K Blu-ray (BD-100): Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.I’d still recommend the Eureka 4K Blu-ray as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K Blu-ray for my future viewings due to the FiM encode.

MoC UHD, both Kino and DE Filmjuwelen UHD have poor encode. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=842780#p842780 Eureka BD. It seems the 4K restoration on that disc and the Olive Signature US release served as the basis for the HDR master Kino commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka BD release wasn’t encoded by FiM and it shows. For those with the BD and an appreciation for optimal encoding, consider an upgrade. Kino’s 4K. It seems that Kino commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino’s encoding can be seen here via ko8ebryant’s caps: https://slow.pics/c/JbRj2HYU. Eureka 4K (BD-100). Same 4K master and same HDR grade as on the Kino 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka BD, grain is visible in the same shot despite the iffy encoding. I’d still recommend the Eureka 4K as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K for my future viewings due to the FiM encode.

MoC 4K Blu-ray, both Kino Lorber and German Filmjuwelen 4K Blu-ray have poor encode. See nicolas review on Eureka Blu-ray. Italian seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and Italian shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.Kino Lorber’s 4K. Italian seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and Italian’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.Eureka 4K (BD-100). Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.I’d still recommend the Eureka 4K as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K for my future viewings due to the FiM encode.

MoC UHD, both Kino and DE Filmjuwelen UHD have poor encode

MoC UHD, both Kino and DE Filmjuwelen UHD have poor encode. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=842780#p842780 Eureka BD. It seems the 4K restoration on that disc and the Olive Signature US release served as the basis for the HDR master Kino commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka BD release wasn’t encoded by FiM and it shows. For those with the BD and an appreciation for optimal encoding, consider an upgrade. Kino’s 4K. It seems that Kino commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino’s encoding can be seen here via ko8ebryant’s caps: https://slow.pics/c/JbRj2HYU. Eureka 4K (BD-100). Same 4K master and same HDR grade as on the Kino 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka BD, grain is visible in the same shot despite the iffy encoding. I’d still recommend the Eureka 4K as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K for my future viewings due to the FiM encode.

Kino UHD

MoC 4K Blu-ray

Both Kino and DE Filmjuwelen UHD have poor encode

MoC UHD, both Kino and DE Filmjuwelen UHD have poor encode

Kino UHD or upcoming DE Filmjuwelen UHD?

Kino UHD

Kino UHD poor encode. Upcoming DE Filmjuwelen UHD may be better?

Both Kino and DE Filmjuwelen UHD have poor encode

Kino UHD

Kino UHD or upcoming DE Filmjuwelen UHD?

Kino UHD

Kino UHD poor encode. Upcoming DE Filmjuwelen UHD may be better?