Ma and Pa Kettle Go to Town (1950)
Comedy • 1h 19m
Director: Charles Lamont
Cast: Marjorie Main, Percy Kilbride, Richard Long, Meg Randall, Gregg Martell, Charles McGraw, Kathryn Givney, Jim Backus, Elliott Lewis, Paul McVey, Bert Freed, Hal March, Lester Allen, Leon Belasco, Dale Belding, Stanley Blystone, Leonard Bremen, Margaret Brown, George Calliga, Jack Chefe, Charles Coleman, Lynn Craft, Helen Dickson, Paul Dunn, Diane Florentine, Bess Flowers, Slim Gaut, Joe Gilbert, Dick Gordon, Maurice Gosfield, George Hoagland, Teddy Infuhr, Jackie Jackson, Sherry Jackson, John James, Larry Keating, Douglas Kennedy, Donald Kerr, Mike Lally, Donna Leary, Rex Lease, Peter Leeds, Wilbur Mack, John Marley, Beverly Mook, Charles Morton, Forbes Murray, William Newell, William H. O'Brien, Garry Owen, Eugene Persson, Elana Schreiner, J.P. Sloane, Olan Soule, Brick Sullivan, Willard Waterman, James Westerfield, Chief Yowlachie
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About the film
When Pa wins a jingle-writing contest, he and Ma head for New York City. They they get in trouble with gangsters when they lose some stolen money which they had already agreed to deliver to one of the thugs.
- Alternative Titles
- 3. Ma and Pa Kettle Go to Town (1950)
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original LaserDisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: James Neilson
The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino Lorber Blu-ray is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino Lorber Blu-ray adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.
Director: Michael Cimino
2020 Shout! Factory 4K
2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV
35mm mix: 1991 Universal LaserDisc
70mm mix: StudioCanal 4K Blu-ray
35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.
70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
More Comedy on Blu-ray
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
Director: Jack Conway
4K restoration from safety preservation elements
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Elaine May
Cinématographe 4K Blu-ray > MoC > Olive Films. From nicolas:
The master is good but it’s not that big an upgrade from the Olive Films disc and Vinegar Syndrome’ encode has some blocky highlights. A shame that they didn’t hire David Mackenzie here.
Cinématographe has unnecessary noise gating not present on the previous releases.
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