VHS

Same master, but less bitrate starved.

The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps

Eureka Blu-ray has worse encoding.

Criterion LaserDisc includes an exclusive commentary, which was later banned by EON and caused the release to be recalled.

Arrow 4K Blu-ray > Kino Lorber, see caps

Media VHS Tape is the only release to date to include the original mono mix of the film, but it is in very poor quality

Cropped from 1.37:1 to 1.85:1 for original theatrical distribution. Opened up back to 1.37:1 for remaster per director’s request 

WB 4K Blu-ray despite extreme frozen grain in moments, overzealous HDR brightness in outdoor sequences, color timing shifts in some shots

It is in MPEG-2, but has a superior restoration that has less errors than the older 2012 Blu-ray.

The 5.1 remix on the US Blu-ray has poor mixing and heavily revised sound effects.

(Carlotta 4K Blu-ray has some better shots than Second Sight 4K Blu-ray and is more accurate to the theatrical grade: https://caps-a-holic.com/c.php?d1=18250&d2=18597&s1=210919&s2=219265&i=4&l=0&a=1)

The 5.1 track on the earlier THX LD/DVD and SE DVDs is not the same as the later remix, and appears to be more faithful the original mix (likely a simple upmix). The UE DVD remix has a lot more surround activity.

2025 reprint is the exact same master as the 2010 disc

251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts

229 min cut (Theatrical): WB Blu-ray

139 min cut (US theatrical): VHS

Eagle Pictures 4K Blu-ray, caps

The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.

Nic's review:

Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.

Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.

I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.

Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.

251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)

Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.

Sony 2022 boxset or 2024 VHS packaging has Dolby Vision, 2019 Sony 4K Blu-ray is HDR10 only.

Fansubs are included with the 4K scan

Audio capture of the Hi-Fi VHS included with the 4K scan