The Spy Who Loved Me (1977)
Adventure, Action, Thriller • 2h 5m
Overview
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
Director: Lewis Gilbert
Cast: Barbara Bach, Curd Jürgens, Richard Kiel, Caroline Munro, Walter Gotell, Geoffrey Keen, Bernard Lee, George Baker, Michael Billington, Olga Bisera, Desmond Llewelyn, Edward de Souza, Vernon Dobtcheff, Valerie Leon, Lois Maxwell, Sydney Tafler, Nadim Sawalha, Sue Vanner, Eva Rueber-Staier, Robert Brown, Marilyn Galsworthy, Milton Reid, Cyril Shaps, Milo Sperber, Albert Moses, Rafiq Anwar, Felicity York, Dawn Rodrigues, Anika Pavel, Jill Goodall, Shane Rimmer, Bob Sherman, Doyle Richmond, Peter Whitman, Ray Hassett, Vincent Marzello, Nicholas Campbell, Anthony Forrest, Garrick Hagon, Ray Jewers, George Mallaby, Christopher Muncke, Anthony Pullen Shaw, Don Staton, Stephen Temperley, Bryan Marshall, Michael Howarth, Kim Fortune, Barry Andrews, Kevin McNally, Jeremy Bulloch, Sean Bury, John Sarbutt, David Auker, Dennis Blanch, Keith Buckley, Nick Ellsworth, Keith Morris, John Salthouse, George Roubicek, Lenny Rabin, Irvin Allen, Yashaw Adem, John Truscott, Robert Sheedy, Eric Stine, Murray Salem, Harry Fielder, Barbara Jefford, Bob Simmons, Michael G. Wilson
Director: Terence Young
WB 4K Blu-ray, despite prevalent frozen grain
Director: Terence Young
WB 4K Blu-ray, despite prevalent frozen grain
Director: Lewis Gilbert
Director: Lewis Gilbert
Director: Guy Hamilton
Director: Guy Hamilton
Director: Terence Young
WB 4K Blu-ray despite frozen grain
Director: Terence Young
WB 4K Blu-ray despite frozen grain
WB 4K Blu-ray despite some frozen grain
WB 4K Blu-ray despite some frozen grain
Director: Guy Hamilton
Director: Guy Hamilton
Director: Martin Campbell
Director: Martin Campbell
Director: Sam Mendes
Director: Sam Mendes
Director: Cary Joji Fukunaga
US Universal 4K Blu-ray (for original forced subtitles font)
IMAX sequences have not been released on home video to date
Director: Cary Joji Fukunaga
US Universal 4K Blu-ray (for original forced subtitles font)
IMAX sequences have not been released on home video to date
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Director: Lewis Gilbert
4K Streaming
4K Streaming SDR master seems to be from the same scan and looks like it has less tinkering than the Blu-ray
MGM Blu-ray is the best physical media release
Screencaps of the 4K SDR master: 007 on Home Media: Moonraker (1979)
Director: Lewis Gilbert
4K Streaming
4K Streaming SDR master seems to be from the same scan and looks like it has less tinkering than the Blu-ray
MGM Blu-ray is the best physical media release
Screencaps of the 4K SDR master: 007 on Home Media: Moonraker (1979)
Directors: Don Bluth & Gary Goldman
Directors: Don Bluth & Gary Goldman
Directors: Jonathan Dayton & Valerie Faris
Directors: Jonathan Dayton & Valerie Faris
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Yorgos Lanthimos
Director: Yorgos Lanthimos
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Director: Jonathan Kaplan
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
Fox 2002 NTSC DVD includes the original mix as discrete LCRS 4.0, later reelases only include a matrixed version an an inferior 5.1 upmix.
The matrixed stereo version on Shout! Factory's 4K Blu-ray sounds good.
Director: Jonathan Kaplan
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
US Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray?
Fox 2002 NTSC DVD includes the original mix as discrete LCRS 4.0, later reelases only include a matrixed version an an inferior 5.1 upmix.
The matrixed stereo version on Shout! Factory's 4K Blu-ray sounds good.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: Adrian Lyne
Director: Adrian Lyne
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