UK
328 films on Best Blurays
Type: Region
Page 9 of 17
Films where UK is in a pick or an upcoming release.
Director: Franc Roddam
US Cut with Chaz Jankel score: Kino Lorber 4K Blu-ray
Director: Stanley Kwan Kam-Pang
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR)
Sources: Blu-ray.com (opens in a new tab)
Pick your poison: USA Film Movement Blu-ray (two scenes cut / censored & slight Ritrovata yellow tint) or UK 88 Films Blu-ray (DNR). nic’s review
Director: John Woo
UK Arrow 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Correct grade and archival extras missing from the Shout! Factory 4K Blu-ray
Both Arrow 4K Blu-ray and Shout! Factory 4K Blu-ray are worse.
Criterion USA LaserDisc [CC1397L]: Original Cantonese mono.
Best Cantonese mono still was from Criterion LaserDisc, as the Shout one was boosted with clipping, with some filtering and losing dynamic range over the Criterion LD.
There’s no need for other Cantonese audio, as all 5.1 remixes are extremely bad and not worth including.
For English Dub the Shout offered the best, it was pure mono. All other 5.1 remixed of said dub are also terrible and offer no value, only less fidelity and more echo.
Director: Baz Luhrmann
UK Visions Home Video 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
UK Visions Home Video 4K Blu-ray caps & impressions
The Visions Home Video 4K Blu-ray 5.1 is worse than the previous 5.1, and original stereo is only on LaserDisc or some PAL DVDs (and sounds much better)
Director: Álex de la Iglesia
Arrow UK 4K Blu-ray
4K Blu-ray releases don't have the original mix with the Mission Impossible theme
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: John Woo
Sources: Blu-ray.com (opens in a new tab)
(caveat: missing extras included on the Kino Lorber US and Plaion Germany UHDs)
Director: Tony Scott
UK Arrow 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2.0: Arrow 4K Blu-ray
UK Arrow 4K Blu-ray has more extras compared to US 4K Blu-ray, which removed the Cadiliac Man featurette and shortened the Michael Tronick and Larry Taylor interviews due to rights issues. The 5.1 on the Arrow 4K Blu-ray is louder and worse.
Director: Nick Park
Sources: Reddit (opens in a new tab) · Blu-ray.com (opens in a new tab)
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
5.1 track for The Wrong Trousers is in its correct pitch both in music and voices https://forum.blu-ray.com/showpost.php?p=21535755&postcount=103
Unaltered track with the original music cues is on the LaserDisc.
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: US ADV Perfect Collection DVD Box Set
Original broadcast versions of E21-24: US ADV Platinum Edition DVD Box Set
Sources: x.com (opens in a new tab) · movie-censorship.com (opens in a new tab)
Majority of the episodes: US GKIDS/UK Anime, Ltd. Blu-ray
Episode 16: Japan 1999 DVD for the original LaserDisc/VHS master (all "remastered" releases including the Blu-rays use a low quality 35mm internegative as it's main source after the original 16mm negatives became lost. Comparison)
Original broadcast versions of E21-24: Japan King Records Blu-ray Comparison of both cuts for each episode
US ADV Perfect Collection DVD Box Set uses the same master as the Japan 1999 DVD, but it's at a lower bitrate and slightly altered colour grading
Director: Nick Park
Sources: Blu-ray.com (opens in a new tab) · Reddit (opens in a new tab)
The BBC 4K collection and Shout! Factory 4K collection all use the same source, and are all unfortunately using AI upscaling and DNR'ed They are worse than the blurays and the 2023 US Shout! Factory collections are even prone to disc-rot.
2009 Lionsgate US (also prone to disc-rot) or UK 2 Entertain OOP Blu-ray will be the way to go.
The 4K collection's Blu-ray seems to be a reprint of previous releases.
4Ks have low-pitched music and sound effects (and that includes Shaun's baas) correct-pitch voices: https://forum.blu-ray.com/showpost.php?p=21536116&postcount=109
Director: Trey Parker
UK Refuse Films or US Vinegar Syndrome Blu-ray
Both releases have two presentations: sourced from the original Betacam master tapes, and another that uses a filmout of the tapes.
Director: Olivier Assayas
Sources: Criterion Forum (opens in a new tab)
Encoding is clunky on both Arrow and Criterion BDs but Arrow at least included the original stereo mix in addition to the 5.1 remix, while Criterion only included the 5.1 remix.
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
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