LaserDisc

Sony 2022 boxset or 2024 VHS packaging has Dolby Vision, 2019 Sony 4K Blu-ray is HDR10 only.

Comparison between the US and International mixes: https://vimeo.com/246332731

The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.

Spain/Italy 4K Blu-ray > US 4K Blu-ray

All versions since 2000 use MGM’s heavily bass filtered remix

Caps and a few remarks on the audio tracks

Japan Tohokushinsha Home Video LaserDisc [K88L-5085] possibly?

Arrow UK /Capelight DE 4K Blu-ray > Kino Lorber US 4K Blu-ray, see caps

Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino Lorber release has the damage and other issues plus frequent noise due to the lesser encoding.

Some scenes in the Arrow transfer are better, some are better in the Capelight.

(Arrow is a port of the LaserDisc track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout! Factory Blu-rays was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LaserDisc audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.

Capelight and old Arrow Blu-ray included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino Lorber only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.

The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.

The best source for the commentaries are from the 2003 Special Edition DVD.

US GKIDS/Australia Umbrella 4K Blu-ray authored by FiM with identical encodes

UHD vs BD comparisons

The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.

Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.

US Sony 2023 Steelbook Edition 4K Blu-ray > Sony 2019 Standard Edition 4K Blu-ray

US Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras

DVD and Blu-ray both have lossy Mono

The DVD has an isolated score track 
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono

Only the US Steelbook has Dolby Vision

Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking

Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110

Universal LaserDisc for the original Dolby Stereo mix

Blu-ray only has a 5.1 remix that alters some dialogue and sound effects