4K Blu-ray

Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.

Criterion 4K Blu-ray replacement disc for fixed audio (there were some dialogues missing)

While the video on the replacement disc is exactly the same as the original release, the Atmos with missing lines has been corrected as it was also corrected on the Criterion commentary. Criterion also included the 6-track which is almost identical to the PAL track; It’s 4.0 in a 5.1 container. This 6-track is slightly better than the PAL DVD track as the PAL has some flutter on some parts that Criterion doesn’t have.

The Atmos on the replacement is identical to the Imprint AUS Blu-ray track which also has all the lines. The compatibility track is also the same,

It is worth mentioning the Imprint only has the Atmos and no 6-track. The 5.1 surround is with LFE and split surrounds and it’s just a downmix of the Atmos. Ditto for the LPCM 2.0 on said Blu-ray.

> Shout! Factory 4K Blu-ray

2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV

35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.

70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.

(2025 re-release includes lossless 5.1 and better 2.0 compared to previous editions)

The 70mm mix in 5.1 was lossy on the 4K 2018 pressing, missing from the 2023 pressing for some reason, and then put back on the 2025 pressing in lossless.

Arrow 4K Blu-ray (review)

FiM encode and a very good new master

> BFI 4K Blu-ray (BFI 4K Blu-ray is AI upscaled mess https://www.reddit.com/r/4kbluray/s/ngw1BMYw5k) comparison: https://slow.pics/c/39MblTy5

> Carlotta, with debatable color gradings from master.

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

2010 Code Red DVD has exclusive extras

In the Lionsgate US/UK 6-disc set, there are 4 discs of the main feature. For whatever reason, the 4K discs lack the *original track. The Germany 4K Blu-ray release is different on this matter.

1. UBD: Final Cut: Atmos, DD2.0

2. UBD: Redux/Theatrical: Atmos

3. BD: Final Cut: Atmos, DD2.0

4. BD: Redux/Theatrical: Dtru5.1 (Redux mix?), DD5.1 (?), DD5.1 (Theatrical only), DD2.0 (downmix??)

   1. As a result the Theatrical Cut has 4 tracks, The Redux has 3. Differences are unclear.

5. BD: Hearts of Darkness

6. BD: Special Features

(additional scenes appear to be upscaled)