Aliases: paramount
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Director: Gene Saks
Sources: filmfestival.tcm.com (opens in a new tab)
Paramount has new restoration done in 2026 see link
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: Haskell Wexler
Sources: DVDBeaver (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
Criterion Blu-ray is slightly better than MoC Blu-ray: while both are from a 4K restoration approved by director, MoC is more sharpened but gamma is flatter see caps
Paramount DVD and potentially Paramount LaserDisc see blah-ray
Criterion and MoC Blu-ray has the same audio, and additional (destructive) hiss reduction was applied, and one segment was made significantly louder.
Also, every home video release except the 1982 Paramount VHS cassette replaces Wild Man Fischer's 'Merry-Go-Round' in the roller derby scene with a version of 'Sweet Georgia Brown' by Brother Bones. Two very different songs, and one must assume that the tone of the scene has changed considerably
Director: Peter Collinson
(preference)
UK Paramount 4K Blu-ray has good colours, but worse encode and no mono track. Kino Lorber 4K Blu-ray has bad colours but better encode and mono track.
2002 R2 Paramount DVD/2009 Paramount Blu-ray/2023 Kino Lorber 4K Blu-ray
Director: Francis Ford Coppola
Sources: YouTube (opens in a new tab)
2008 Blu-ray lossy mono
(Britain release only has 5.1)
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Sources: YouTube (opens in a new tab)
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: John Guillermin
StudioCanal 4K Blu-ray: good encode, but poor colours. More extras Paramount 4K Blu-ray: good colours but poor encode.
(Paramount 4K Blu-ray has a 5.1 mix ONLY, which contains a music error) a possible replacement disc is still to be confirmed...
Shout! Factory Blu-ray has extras missing from 4K
Director: Randal Kleiser
Paramount 4K Blu-ray disappointing
Paramount 4K Blu-ray, reportedly sourced from the 70mm mix
Missing a Paramount film? Suggest it