The Hollywood studio's disc arm began in 1976 as Paramount Home Video and now sits under Paramount Skydance. Since 2020 its Paramount Presents line has put classic Paramount and DreamWorks titles out on remastered Blu-ray and 4K UHD. Alliance Entertainment has handled US and Canadian physical distribution since January 2025, with regional partners such as Eagle Pictures, ESC and Happinet abroad.
Paramount
217 films on Best BluraysBest video release: 157 in 4K56 in HD3 in SD1 with no official release12 more for audio only
- Excellent21
- Solid49
- Superior Imports1
- Good in DV Only4
- Disappointing15
- Worse Than BD10
Films where Paramount's release is the pick. How picks are made
56 of 217 films match
Films where Paramount's release is the pick. How picks are made
56 in HD
Best video release on Blu-ray or HD streaming · by Letterboxd rating
Paramount 2008 Blu-ray Coppola Restoration
Sources: YouTube (opens in a new tab)
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Fernando Meirelles
Paramount Blu-ray
Sources: caps-a-holic (opens in a new tab) · DVDBeaver (opens in a new tab)
Japan TC Entertainment
Encoding wise Japan TC Entertainment > old UK StudioCanal Blu-ray (see caps) > Paramount Blu-ray (see cap)
StudioCanal Blu-ray seems to possibly suffer from Quicktime Gamma Bug
Both Paramount and Japan Blu-ray are 1.78:1, not the original aspect ratio of 1.85:1
No caps or comparison available for Imprint or other releases.
Director: Federico Fellini
2022 Paramount Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
2014 Criterion Blu-ray is from the same master and has only slightly worse compression. JP/DE/FR releases all have incorrect levels. Caps
All Blu-ray releases are from the same mastering, superior to the one on older DVD releases which is sourced from a higher generation source. They all sound about the same, with the exception of Criterion, which sounds worse due to extraneous filtering.
Paramount's disc also includes a contemporary English dub, previously unreleased on home video.
Director: Robert Altman
Paramount Blu-ray
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray scheduled for Dec 2026 release
Director: Robert Redford
Director: Rob Marshall
2020 Paramount Blu-ray
Sources: caps-a-holic (opens in a new tab)
Director: Mark Osborne
2015 Paramount France 3D Blu-ray
Paramount France 3D Blu-ray has both 3D and 2D formats included, as well as both the original French audio with English subtitles and the English dub.
6 with a weaker 4K
Best 4K release rated Disappointing or Worse Than BD · by Letterboxd rating
Paramount 2008 Blu-ray Coppola Restoration
Sources: YouTube (opens in a new tab)
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Craig Brewer
Old Paramount Blu-ray
Old Paramount Blu-ray better than new 4K Blu-ray: smeary grain/detail, poor contrast
4K Blu-ray and New Blu-ray
4K Blu-ray and New Blu-ray has lossless TrueHD, Old Blu-ray just has lossy Dolby Digital
Director: Sean S. Cunningham
4K Blu-ray: DNR is strong in places; editing error introduced where the prologue no longer fades to white; HDR is messed up.
BDs: 2021 Paramount Blu-ray has better encode than Shout! Factory but is 1.78:1 instead of 1.85:1 and doesn't have the mono track
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
Sources: x.com (opens in a new tab) · caps-a-holic (opens in a new tab)
Same master, but less bitrate starved.
1980s Paramount VHS
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
Director: Francis Ford Coppola
Paramount 2008 Blu-ray Coppola Restoration
Sources: YouTube (opens in a new tab)
2008 Blu-ray lossy mono
(Britain release only has 5.1)
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
2 for audio only
The best audio is Paramount's; the video and English-friendly picks are other releases · by Letterboxd rating
Director: Haskell Wexler
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
Paramount DVD and potentially Paramount LaserDisc see blah-ray
Criterion and MoC Blu-ray has the same audio, and additional (destructive) hiss reduction was applied, and one segment was made significantly louder.
Also, every home video release except the 1982 Paramount VHS cassette replaces Wild Man Fischer's 'Merry-Go-Round' in the roller derby scene with a version of 'Sweet Georgia Brown' by Brother Bones. Two very different songs, and one must assume that the tone of the scene has changed considerably
Know a film where the Paramount release is the one to buy? Suggest it


















