Breakfast at Tiffany's (1961)
Comedy, Romance, Drama • 1h 55m
Overview
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Director: Blake Edwards
Cast: Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen, Martin Balsam, José Luis de Vilallonga, John McGiver, Dorothy Whitney, Stanley Adams, Elvia Allman, Alan Reed, Beverly Powers, Claude Stroud, Mickey Rooney, Don Anderson, Al Avalon, Janet Banzet, Mel Blanc, Joe Scott, Jim Michael, Henry Barnard, Henry Beckman, Arthur Berkeley, Nicky Blair, Willie Bloom, Bill Bradley, Thayer Burton, Florine Carlan, Sue Casey, Roydon Clark, Marian Collier, Christine Corbin, Dick Crockett, Tom Curtis, Tommy Farrell, James Field, George Fields, Joseph Glick, Joe Gray, Joseph J. Greene, Sam Harris, Pete Kellett, Barbara Kelley, Kip King, Frank Kreig, Gil Lamb, Hanna Landy, James Lanphier, Mary LeBow, Paul Lees, Leatrice Leigh, Mel Leonard, Leota Lorraine, Mike Mahoney, Frank Marth, Fay McKenzie, William Meader, Joyce Meadows, Harold Miller, Hollis Morrison, Kate Murtagh, Bill Neff, Miriam Nelson, Chuck Niles, Peggy Patten, Robert Patten, John Perri, Michael Quinlivan, William Benegal Rau, Tony Regan, Charles Sherlock, Annabella Soong, Helen Spring, Joan Staley, Richard Wyler, Nino Tempo, Towyna Thomas, Danny Truppi, Glen Vernon, Linda Wong, Wilson Wood, Michael Zaslow, Orangey
Director: Jonathan Demme
Director: Jonathan Demme
Director: George Roy Hill
Director: George Roy Hill
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray possibly?
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray possibly?
Director: Blake Edwards
88 Films 4K Blu-ray scheduled for August 24, 2026 release
Kino Lorber 4K Blu-ray fixes stretched ratio problem
Kino Lorber 4K Blu-ray fixes ratio issue due to new scan but has no original audio, only remixes. The MGM and Shout! Factory Blu-ray use the same HD master with stretched image and horrible muffled processed to death mono. The PCM mono on the MGM letterbox LaserDisc reissue is the only untouched original mix audio and sounds incredible.
Director: Blake Edwards
88 Films 4K Blu-ray scheduled for August 24, 2026 release
Kino Lorber 4K Blu-ray fixes stretched ratio problem
Kino Lorber 4K Blu-ray fixes ratio issue due to new scan but has no original audio, only remixes. The MGM and Shout! Factory Blu-ray use the same HD master with stretched image and horrible muffled processed to death mono. The PCM mono on the MGM letterbox LaserDisc reissue is the only untouched original mix audio and sounds incredible.
Shout! Factory uses MGM's HD master and mono mix which sounds similar to their 2004 DVD mono. They sound nearly identical aside from volume differences-except that the sound effects seem a bit flattened again on the DVD and this Blu-ray mono mastering seems to be EQ'd a bit differently.
Shout! Factory uses MGM's HD master and mono mix which sounds similar to their 2004 DVD mono. They sound nearly identical aside from volume differences-except that the sound effects seem a bit flattened again on the DVD and this Blu-ray mono mastering seems to be EQ'd a bit differently.
The original mono mix has bad pitch and sound quality issues on the Shout! Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.
Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout! Factory Blu-ray does not have pitch issues but the stereo remix does.
The original mono mix has bad pitch and sound quality issues on the Shout! Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.
Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout! Factory Blu-ray does not have pitch issues but the stereo remix does.
Kino Lorber 4K Blu-ray is from a new 4K master with some transfer issues, notably in the title sequence. The mono mix had errors and slight deletions introduced in the 2004 DVD remaster which were corrected on a 2006 DVD repressing. The Shout! Factory Blu-ray uses the 2006 corrected mono but those sections sound added in and in lower quality. The Kino Lorber 4K Blu-ray reverts to the defective 2004 mono. All the DVD, Blu-ray and 4K Blu-ray mono mixes sound poor when compared to the untouched uncut MGM LaserDisc mono PCM mix which is a direct perfect transfer and sounds excellent.
Kino Lorber 4K Blu-ray is from a new 4K master with some transfer issues, notably in the title sequence. The mono mix had errors and slight deletions introduced in the 2004 DVD remaster which were corrected on a 2006 DVD repressing. The Shout! Factory Blu-ray uses the 2006 corrected mono but those sections sound added in and in lower quality. The Kino Lorber 4K Blu-ray reverts to the defective 2004 mono. All the DVD, Blu-ray and 4K Blu-ray mono mixes sound poor when compared to the untouched uncut MGM LaserDisc mono PCM mix which is a direct perfect transfer and sounds excellent.
Live Home Video 1996 remastered letterbox LaserDisc
The remastered LaserDisc PCM mono sounds the most untouched and natural of any version. In 2006, Universal made a new HD master used on all subsequent DVD and Blu-ray releases. The Universal 2.0 mono mix may be a new transfer, different source or remix made from stems as the music and effects are at different levels throughout the track when compared to older copies featuring the mono mix. Additionally there is extreme noise reduction with dialogue sounding too clean and hiss being almost gone. Comparing with the 1996 LaserDisc mono clearly shows in all of these moments that the original mono was mixed differently and to serve the jokes.
Live Home Video 1996 remastered letterbox LaserDisc
The remastered LaserDisc PCM mono sounds the most untouched and natural of any version. In 2006, Universal made a new HD master used on all subsequent DVD and Blu-ray releases. The Universal 2.0 mono mix may be a new transfer, different source or remix made from stems as the music and effects are at different levels throughout the track when compared to older copies featuring the mono mix. Additionally there is extreme noise reduction with dialogue sounding too clean and hiss being almost gone. Comparing with the 1996 LaserDisc mono clearly shows in all of these moments that the original mono was mixed differently and to serve the jokes.
Director: Blake Edwards
Kino Lorber 4K Blu-ray with audio issues
MGM Letterbox LaserDisc, 2004 DVD mono, or Shout! Factory Blu-ray mono
Kino Lorber 4K Blu-ray introduces pitch issues on the mono mix. LaserDisc mono is from worn element but sounds mostly natural with possibly some attempts at noise reduction. MGM 2004 DVD mono transfer is higher quality without the wear but may have some processing applied. Shout! Factory Blu-ray is the same MGM mono now in lossless but seems to be EQ'd a bit differently. LaserDisc, DVD or Blu-ray is a toss up but those are your three options. The Kino Lorber 4K Blu-ray is useless due to the pitch issues. The remixes are very poor.
Director: Blake Edwards
Kino Lorber 4K Blu-ray with audio issues
MGM Letterbox LaserDisc, 2004 DVD mono, or Shout! Factory Blu-ray mono
Kino Lorber 4K Blu-ray introduces pitch issues on the mono mix. LaserDisc mono is from worn element but sounds mostly natural with possibly some attempts at noise reduction. MGM 2004 DVD mono transfer is higher quality without the wear but may have some processing applied. Shout! Factory Blu-ray is the same MGM mono now in lossless but seems to be EQ'd a bit differently. LaserDisc, DVD or Blu-ray is a toss up but those are your three options. The Kino Lorber 4K Blu-ray is useless due to the pitch issues. The remixes are very poor.
Director: Blake Edwards
Director: Blake Edwards
Director: Stanley Donen
Director: Stanley Donen
Directors: Arturo Perez Jr. & Samantha Jayne
Directors: Arturo Perez Jr. & Samantha Jayne
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Richard Linklater
Director: Richard Linklater
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
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