Breakfast at Tiffany's (1961)
Comedy, Romance, Drama • 1h 55m
Director: Blake Edwards
Cast: Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen, Martin Balsam, José Luis de Vilallonga, John McGiver, Dorothy Whitney, Stanley Adams, Elvia Allman, Alan Reed, Beverly Powers, Claude Stroud, Mickey Rooney, Don Anderson, Al Avalon, Janet Banzet, Mel Blanc, Joe Scott, Jim Michael, Henry Barnard, Henry Beckman, Arthur Berkeley, Nicky Blair, Willie Bloom, Bill Bradley, Thayer Burton, Florine Carlan, Sue Casey, Roydon Clark, Marian Collier, Christine Corbin, Dick Crockett, Tom Curtis, Tommy Farrell, James Field, George Fields, Joseph Glick, Joe Gray, Joseph J. Greene, Sam Harris, Pete Kellett, Barbara Kelley, Kip King, Frank Kreig, Gil Lamb, Hanna Landy, James Lanphier, Mary LeBow, Paul Lees, Leatrice Leigh, Mel Leonard, Leota Lorraine, Mike Mahoney, Frank Marth, Fay McKenzie, William Meader, Joyce Meadows, Harold Miller, Hollis Morrison, Kate Murtagh, Bill Neff, Miriam Nelson, Chuck Niles, Peggy Patten, Robert Patten, John Perri, Michael Quinlivan, William Benegal Rau, Tony Regan, Charles Sherlock, Annabella Soong, Helen Spring, Joan Staley, Richard Wyler, Nino Tempo, Towyna Thomas, Danny Truppi, Glen Vernon, Linda Wong, Wilson Wood, Michael Zaslow, Orangey
Best English-friendly & video release · updated 4 months ago
Overview
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Director: Steve James
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray
Mono: Kino Lorber US Blu-ray possibly?
Director: Blake Edwards
88 Films 4K Blu-ray scheduled for August 24, 2026 release
Kino Lorber 4K Blu-ray fixes stretched ratio problem
Kino Lorber 4K Blu-ray fixes ratio issue due to new scan but has no original audio, only remixes. The MGM and Shout! Factory Blu-ray use the same HD master with stretched image and horrible muffled processed to death mono. The PCM mono on the MGM letterbox LaserDisc reissue is the only untouched original mix audio and sounds incredible.
Shout! Factory uses MGM's HD master and mono mix which sounds similar to their 2004 DVD mono. They sound nearly identical aside from volume differences-except that the sound effects seem a bit flattened again on the DVD and this Blu-ray mono mastering seems to be EQ'd a bit differently.
The original mono mix has bad pitch and sound quality issues on the Shout! Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.
Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout! Factory Blu-ray does not have pitch issues but the stereo remix does.
Kino Lorber 4K Blu-ray is from a new 4K master with some transfer issues, notably in the title sequence. The mono mix had errors and slight deletions introduced in the 2004 DVD remaster which were corrected on a 2006 DVD repressing. The Shout! Factory Blu-ray uses the 2006 corrected mono but those sections sound added in and in lower quality. The Kino Lorber 4K Blu-ray reverts to the defective 2004 mono. All the DVD, Blu-ray and 4K Blu-ray mono mixes sound poor when compared to the untouched uncut MGM LaserDisc mono PCM mix which is a direct perfect transfer and sounds excellent.
Video format: UHD Blu-ray
Live Home Video 1996 remastered letterbox LaserDisc
The remastered LaserDisc PCM mono sounds the most untouched and natural of any version. In 2006, Universal made a new HD master used on all subsequent DVD and Blu-ray releases. The Universal 2.0 mono mix may be a new transfer, different source or remix made from stems as the music and effects are at different levels throughout the track when compared to older copies featuring the mono mix. Additionally there is extreme noise reduction with dialogue sounding too clean and hiss being almost gone. Comparing with the 1996 LaserDisc mono clearly shows in all of these moments that the original mono was mixed differently and to serve the jokes.
Director: Blake Edwards
Kino Lorber 4K Blu-ray with audio issues
MGM Letterbox LaserDisc, 2004 DVD mono, or Shout! Factory Blu-ray mono
Kino Lorber 4K Blu-ray introduces pitch issues on the mono mix. LaserDisc mono is from worn element but sounds mostly natural with possibly some attempts at noise reduction. MGM 2004 DVD mono transfer is higher quality without the wear but may have some processing applied. Shout! Factory Blu-ray is the same MGM mono now in lossless but seems to be EQ'd a bit differently. LaserDisc, DVD or Blu-ray is a toss up but those are your three options. The Kino Lorber 4K Blu-ray is useless due to the pitch issues. The remixes are very poor.
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
3D version: Paramount 3D Blu-ray
Paramount 4K Blu-ray on October 26 2026
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray scheduled for Dec 2026 release
Director: Richard Linklater
Sources: caps-a-holic (opens in a new tab)
Original AR: Paramount 4K Blu-ray
IMAX AR: Paramount 3D Blu-ray
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