Funeral Parade of Roses (1969)
薔薇の葬列
Drama • 1h 45m
Director: Toshio Matsumoto
Cast: Shinnosuke Ikehata, Yoshio Tsuchiya, Emiko Azuma, Toshiya Fujita, Kiyoshi Awazu, Osamu Ogasawara, Yoshimi Jô, Koichi Nakamura, Flamenco Umeji, Saako Oota, Tarô Manji, Toyosaburo Uchiyama, Mikio Shibayama, Wataru Hikonagi, Noboru Gomibuchi, Chieko Kobayashi, Yô Satô, Keiichi Takenaga, Mamoru Hirata, Nagatoshi Sakamoto, Kazuhiko Kura, Akira Hanagami, Takashi Tabata, Yutaka Ôyama, Kenji Kodama, Yukio Natori, Yukio Ninagawa, Yoshihiro Nakadai, Haruhiko Saito, Koji Iwabuchi, Ryu Umeshika, Yuka Kurenai, Keiko Sato, Toshiro Ishii, Miyoko Shoji, Don Madrid, Hōsei Komatsu, Shōtarō Akiyama, Tatsuo Ikeda, Toyoko Iwasaki, Kazuo Eda, Takeshi Kojima, Masahiro Shinoda, Shosuke Taga, Jiro Yagi, Nagaharu Yodogawa, Masato Hara, Yoshihiro Kato
Best audio release
2014 King Records Blu-ray
About the film
In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.
- TSPDT
- 2026: #8422025: #8392024: #8332023: #837
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
Director: Ingmar Bergman
Director: Jean-Luc Godard
Director: F. W. Murnau
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Director: Ingmar Bergman
Video format: 4K Streaming
Sources: YouTube (opens in a new tab) · Blu-ray.com (opens in a new tab)
Film Masters youtube (raw scan)
More Drama on Blu-ray
Shout! Factory's Blu-ray has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout! Factory disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Director: Anthony Mann
This is an ancient Universal master of a film in dire need of restoration. This only looks somewhat better than the old Universal DVD upscaled and is clearly the same master. Tons of wear, color fringing and other issues abound. The film is stuck at the theatrical widescreen ratio of 1.85:1 when it was composed for Academy ratio. The proper ratio is only found on the trailer, original VHS master and Region 2 PAL DVD. The Kino Lorber Blu-ray is their usual barebones affair except for flawed low res trailer files and a basic commentary. The film's 3.0 stereo mix is intact alongside the more limited mono mix thankfully. The Blu-ray does edge out over the old Universal DVD but that is merely due to it being the same master resolving better in 1080p. This presentation is sadly poor and the film deserves much better.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray vs Criterion
Three masterings of the original Dolby Stereo SR mix exist: the original Orion video releases, the Criterion (which is from their LD) and the Arrow. All three are excellent with slight mastering differences between them. The original Orion still is probably the one with the most fidelity, the Criterion is the cleanest with a kind of warm feel to it and the Arrow has a bit of both aspects. The Arrow mastering has a tiny almost imperceptible bit of audio bleeding into the surround that isn't on the Criterion. Each has their own pluses and minuses but you can't go wrong with any of them. Whatever you do though: DO NOT WATCH WITH THE 5.1 REMIX. It is another MGM botch job that fundamentally alters the impact of many scenes. It is vastly inferior to the original mix in every way.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
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