Moonfleet (1955)
Adventure, Drama, History • 1h 29m
Overview
Set in the eighteenth century, Moonfleet is about John Mohune, a young orphan who is sent to the Dorset village of Moonfleet to stay with an old friend of his mother's, Jeremy Fox. Fox is a morally ambiguous character, an elegant gentleman involved with smugglers and pirates.
Director: Fritz Lang
Cast: Stewart Granger, George Sanders, Joan Greenwood, Viveca Lindfors, Jon Whiteley, Liliane Montevecchi, Melville Cooper, Sean McClory, Alan Napier, John Hoyt, Donna Corcoran, Jack Elam, Dan Seymour, Ian Wolfe, Lester Matthews, Skelton Knaggs, Richard Hale, Ashley Cowan, Frank Ferguson, Booth Colman, John Alderson, Dorinda Clifton
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Criterion 4K Blu-ray. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"
Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)
Director: Fritz Lang
Criterion 4K Blu-ray. See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"
Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC or Kino Lorber
2001 Murnau restoration: MoC > Kino Lorber
2010 Murnau complete restoration: MoC > Kino Lorber
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC or Kino Lorber
2001 Murnau restoration: MoC > Kino Lorber
2010 Murnau complete restoration: MoC > Kino Lorber
Director: Fritz Lang
MoC vs Kino Lorber Blu-ray?
MoC vs Kino Lorber Blu-ray?
Director: Fritz Lang
MoC vs Kino Lorber Blu-ray?
MoC vs Kino Lorber Blu-ray?
Director: Fritz Lang
Kino Lorber vs MoC?
Kino Lorber and MoC same resto, no comparison
Director: Fritz Lang
Kino Lorber vs MoC?
Kino Lorber and MoC same resto, no comparison
Director: Fritz Lang
Imprint Blu-ray not only has the best encoding, but also has the "correct" aspect ratio compared to ClassicFlix which is horizontally stretched or Eagle Pictures which is squished see DVDBeaver caps
Director: Fritz Lang
Imprint Blu-ray not only has the best encoding, but also has the "correct" aspect ratio compared to ClassicFlix which is horizontally stretched or Eagle Pictures which is squished see DVDBeaver caps
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Fritz Lang
Director: Alfred Hitchcock
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: Alfred Hitchcock
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: Roy Del Ruth
Director: Roy Del Ruth
Director: Tod Browning
Director: Tod Browning
Director: Richard Wallace
Director: Richard Wallace
Director: Edward Buzzell
Warner Archive Esther Williams: Volume 1 DVD
Warner Archive Esther Williams: Volume 1 DVD.
Also available on SD Streaming
Director: Edward Buzzell
Warner Archive Esther Williams: Volume 1 DVD
Warner Archive Esther Williams: Volume 1 DVD.
Also available on SD Streaming
More Adventure on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Directors: Jules Bass & Arthur Rankin, Jr.
Directors: Jules Bass & Arthur Rankin, Jr.
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