The Chronicles of Narnia: Prince Caspian (2008)
Adventure, Family, Fantasy • 2h 30m
Overview
One year after their incredible adventures in the Lion, the Witch and the Wardrobe, Peter, Edmund, Lucy and Susan Pevensie return to Narnia to aid a young prince whose life has been threatened by the evil King Miraz. Now, with the help of a colorful cast of new characters, including Trufflehunter the badger and Nikabrik the dwarf, the Pevensie clan embarks on an incredible quest to ensure that Narnia is returned to its rightful heir.
Director: Andrew Adamson
Cast: William Moseley, Anna Popplewell, Skandar Keynes, Georgie Henley, Ben Barnes, Tilda Swinton, Peter Dinklage, Sergio Castellitto, Eddie Izzard, Liam Neeson, Warwick Davis, Pierfrancesco Favino, Vincent Grass, Cornell John, Ken Stott, Damián Alcázar, Alicia Borrachero, Klára Issová, Shane Rangi, Simón Andreu, Predrag Bjelac, David Bowles, Juan Diego Montoya, Douglas Gresham, Ashley Jones, Curtis Matthew, Mana Hira Davis, Winham Hammond, Hana Frejková, Kristina Beranová, Lucie Solarova, Karolina Matouskova, Alina Phelan, Joseph Moore, Isaac Bell, Lejla Abbasová, Ephraim Goldin, Yemi A.D., Carlos Silva Da Silva, Gomez Sandoval, Jan Filipenský, David Mottl, Michaela Dvorská, John Bach, Jack Walley, Marcus O'Donovan, Adam Valdez, David Walliams, Siobhan Connors, Jaymie Bell
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Conrad Vernon & Kelly Asbury & Andrew Adamson
Universal 4K Blu-Ray
Universal 4K Blu-Ray
Cinema DTS
The old DVD has extras not on the 4K Blu-Ray.
The UK version replaces The Ugly Stepsister’s voice for Jonathan Ross instead of Larry King. This audio track however is not included on the UK 4K. This version also has an altered shot where Fiona’s headbutt to Prince Charming is replaced with a karate chop to the neck, which was also removed from the 4K.
Directors: Conrad Vernon & Kelly Asbury & Andrew Adamson
Universal 4K Blu-Ray
Universal 4K Blu-Ray
Cinema DTS
The old DVD has extras not on the 4K Blu-Ray.
The UK version replaces The Ugly Stepsister’s voice for Jonathan Ross instead of Larry King. This audio track however is not included on the UK 4K. This version also has an altered shot where Fiona’s headbutt to Prince Charming is replaced with a karate chop to the neck, which was also removed from the 4K.
Director: Domee Shi
Director: Domee Shi
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Mark Dindal
3D: Disney 3D Blu-ray
3D: Disney 3D Blu-ray
Disney 3D Blu-ray has a slightly better audio mix
Director: Mark Dindal
3D: Disney 3D Blu-ray
3D: Disney 3D Blu-ray
Disney 3D Blu-ray has a slightly better audio mix
Directors: Gary Trousdale & Kirk Wise
Directors: Gary Trousdale & Kirk Wise
Directors: Aaron Blaise & Robert Walker
Directors: Aaron Blaise & Robert Walker
Theatrical Cut: Streaming: Kaleidescape > Movies Anywhere > Disney+
Theatrical Cut: Streaming: Kaleidescape > Movies Anywhere > Disney+
Director: David Dobkin
Director: David Dobkin
Caveat: Not a DTS-ES 6.1 mix like in cinemas, unsure if the centre rear channel is preserved in the LPCM 5.1 track
Caveat: Not a DTS-ES 6.1 mix like in cinemas, unsure if the centre rear channel is preserved in the LPCM 5.1 track
Japan Disney 4K Blu-ray for the original Japanese audio with the best English subtitle translation
US Funimation Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
4K remastered US theatrical re-release in 2024 courtesy of GKIDS with either the Japanese audio with Disney's English subtitles or the English dub by Bandai
Not yet confirmed for a US home video release
Japan "4K Remastered" Disney Blu-ray has the original 6.1 mix
Japan Disney 4K Blu-ray for the DTS:X remix
Funimation US Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
Italy Dynit Blu-ray has the best picture quality but has no English subtitles or original theatrical 6.1 mix.
All "4K Remastered" and 4K Blu-ray releases (including from Disney) are taken from a 35mm filmout rather than the original digital source, and then heavily DNR'd, destroying original detail and making lines smearier than before. The Japan Disney 4K Blu-ray is the least bad presentation of the 4K remaster, being encoded with a very healthy bitrate and HDR10+ metadata, and with a top-notch DTS:X remix, with the original 6.1 mix included on the pack-in "4K Remastered" Blu-ray.
The film has multiple English subtitle translations, and the Disney subtitles done by Linda Hoaglund and Judith Aley with Aura are often seen as the best translation, with these subtitles present on the Japan Disney 4K Blu-ray, making this the definitive option for viewers who want to watch the film in Japanese with English subtitles.
Japan Disney 4K Blu-ray for the original Japanese audio with the best English subtitle translation
US Funimation Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
4K remastered US theatrical re-release in 2024 courtesy of GKIDS with either the Japanese audio with Disney's English subtitles or the English dub by Bandai
Not yet confirmed for a US home video release
Japan "4K Remastered" Disney Blu-ray has the original 6.1 mix
Japan Disney 4K Blu-ray for the DTS:X remix
Funimation US Blu-ray for the Bandai dub
Manga Entertainment UK Blu-ray for the Manga Entertainment dub
Italy Dynit Blu-ray has the best picture quality but has no English subtitles or original theatrical 6.1 mix.
All "4K Remastered" and 4K Blu-ray releases (including from Disney) are taken from a 35mm filmout rather than the original digital source, and then heavily DNR'd, destroying original detail and making lines smearier than before. The Japan Disney 4K Blu-ray is the least bad presentation of the 4K remaster, being encoded with a very healthy bitrate and HDR10+ metadata, and with a top-notch DTS:X remix, with the original 6.1 mix included on the pack-in "4K Remastered" Blu-ray.
The film has multiple English subtitle translations, and the Disney subtitles done by Linda Hoaglund and Judith Aley with Aura are often seen as the best translation, with these subtitles present on the Japan Disney 4K Blu-ray, making this the definitive option for viewers who want to watch the film in Japanese with English subtitles.
More Adventure on Blu-ray
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
Directors: Phil Lord & Christopher Miller
Amazon MGM 4K Blu-ray SteelBook with mixed aspect ratio 1.43:1/2.39:1
Directors: Phil Lord & Christopher Miller
Amazon MGM 4K Blu-ray SteelBook with mixed aspect ratio 1.43:1/2.39:1
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
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