Macao (1952)
Adventure, Drama, Romance, Crime • 1h 21m
Overview
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the attractive singer/petty crook, Julie Benson?
Director: Josef von Sternberg
Cast: Robert Mitchum, Jane Russell, William Bendix, Thomas Gomez, Gloria Grahame, Brad Dexter, Edward Ashley, Philip Ahn, Vladimir Sokoloff, Abdullah Abbas, Rico Alaniz, Trevor Bardette, Genevieve Bell, George Blagoi, Truman Bradley, George Chan, Spencer Chan, Suey Chan, W.T. Chang, John Daheim, Art Dupuis, Marcello Estorres, Lee Tong Foo, Nacho Galindo, H.W. Gim, Everett Glass, Bhupesh Guha, Stuart Hall, Phil Harron, Sheldon Jett, Harold J. Kennedy, Paul King, Marc Krah, Esther Ying Lee, Tommy Lee, James B. Leong, Weaver Levy, Alex Montoya, Walter Ng, Emory Parnell, Manuel París, Alfredo Santos, Bhogwan Singh, May Takasugi, Philip Van Zandt, Michael Visaroff, Iris Wong, William Yip, Maria Sen Young, Don Zelaya
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
All very old restoration, but Kino Lorber > Germany Universum > MoC. Kino Lorber Germany Blu-ray has more noise reduction while English version's noise reduction is kept at minimum. MoC has very week encoding and crushed blacks.
Sources:
caps-a-holic on MoC vs Germany
DVDBeaver on Kino Lorber vs MoC
2001 Kino Lorber DVD or 2003 Eureka DVD
Director: Josef von Sternberg
All very old restoration, but Kino Lorber > Germany Universum > MoC. Kino Lorber Germany Blu-ray has more noise reduction while English version's noise reduction is kept at minimum. MoC has very week encoding and crushed blacks.
Sources:
caps-a-holic on MoC vs Germany
DVDBeaver on Kino Lorber vs MoC
2001 Kino Lorber DVD or 2003 Eureka DVD
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
Indicator Blu-ray has better encoding than Criterion Blu-ray, both 4K restoration, see DVDBeaver caps
No caps on France Elephant Films Blu-ray
Director: Josef von Sternberg
Indicator Blu-ray has better encoding than Criterion Blu-ray, both 4K restoration, see DVDBeaver caps
No caps on France Elephant Films Blu-ray
Director: Josef von Sternberg
Director: Josef von Sternberg
Warner Archive Blu-ray 4K restoration
Warner Archive Blu-ray 4K restoration
Director: James W. Horne
Warner Archive Blu-ray 4K restoration from nitrate protection elements
Director: James W. Horne
Warner Archive Blu-ray 4K restoration from nitrate protection elements
Warner Archive Blu-ray 4K restoration from original technicolor negatives
Warner Archive Blu-ray 4K restoration from original technicolor negatives
Director: Mervyn LeRoy
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Mervyn LeRoy
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Norman Taurog
Warner Archive Blu-ray 4K restoration
Director: Norman Taurog
Warner Archive Blu-ray 4K restoration
Director: William A. Wellman
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: William A. Wellman
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Fred Zinnemann
Warner Archive Blu-ray 4K restoration
Director: Fred Zinnemann
Warner Archive Blu-ray 4K restoration
Director: Michael Curtiz
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Michael Curtiz
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Edwin L. Marin
Warner Archive Blu-ray 4K restoration from technicolor negatives
Director: Edwin L. Marin
Warner Archive Blu-ray 4K restoration from technicolor negatives
Director: André de Toth
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: André de Toth
Warner Archive Blu-ray 4K restoration from Original Camera Negative
More Adventure on Blu-ray
Director: Simon Wincer
Kino Lorber Blu-ray
4K is defective with color space issues and poor encoding, disc replacement program for the 4K disc has been setup to correct the color space issue. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has announced a replacement program for the defective UHD but it is highly likely all the other problems will go unaddressed. The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Simon Wincer
Kino Lorber Blu-ray
4K is defective with color space issues and poor encoding, disc replacement program for the 4K disc has been setup to correct the color space issue. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has announced a replacement program for the defective UHD but it is highly likely all the other problems will go unaddressed. The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Alan Crosland
Director: Alan Crosland
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Paramount 4K Blu-ray has the original colour grade
Paramount 4K Blu-ray has the original colour grade
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K80" or "D+80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" or "D+80" on the high seas
Special Edition: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
2D version: Disney 4K Blu-ray
3D version: Disney 3D Blu-ray or Disney+/Apple TV Vision Pro Streaming
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
Directors: Tony Bancroft & Barry Cook
2020 Disney 4K Blu-ray
Digital re-render: 2020 Disney 4K Blu-ray, caveat: no Dolby Vision metadata from 4K Streaming
Original theatrical 35mm render: WOWOW HDTV broadcast
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