Macao (1952)
Adventure, Drama, Romance, Crime • 1h 21m
Overview
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the attractive singer/petty crook, Julie Benson?
Director: Josef von Sternberg
Cast: Robert Mitchum, Jane Russell, William Bendix, Thomas Gomez, Gloria Grahame, Brad Dexter, Edward Ashley, Philip Ahn, Vladimir Sokoloff, Abdullah Abbas, Rico Alaniz, Trevor Bardette, Genevieve Bell, George Blagoi, Truman Bradley, George Chan, Spencer Chan, Suey Chan, W.T. Chang, John Daheim, Art Dupuis, Marcello Estorres, Lee Tong Foo, Nacho Galindo, H.W. Gim, Everett Glass, Bhupesh Guha, Stuart Hall, Phil Harron, Sheldon Jett, Harold J. Kennedy, Paul King, Marc Krah, Esther Ying Lee, Tommy Lee, James B. Leong, Weaver Levy, Alex Montoya, Walter Ng, Emory Parnell, Manuel París, Alfredo Santos, Bhogwan Singh, May Takasugi, Philip Van Zandt, Michael Visaroff, Iris Wong, William Yip, Maria Sen Young, Don Zelaya
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
All very old restoration, but Kino Lorber > Germany Universum > MoC. Kino Lorber Germany Blu-ray has more noise reduction while English version's noise reduction is kept at minimum. MoC has very week encoding and crushed blacks.
Sources:
caps-a-holic on MoC vs Germany
DVDBeaver on Kino Lorber vs MoC
2001 Kino Lorber DVD or 2003 Eureka DVD
Director: Josef von Sternberg
All very old restoration, but Kino Lorber > Germany Universum > MoC. Kino Lorber Germany Blu-ray has more noise reduction while English version's noise reduction is kept at minimum. MoC has very week encoding and crushed blacks.
Sources:
caps-a-holic on MoC vs Germany
DVDBeaver on Kino Lorber vs MoC
2001 Kino Lorber DVD or 2003 Eureka DVD
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Josef von Sternberg
Indicator Blu-ray has better encoding than Criterion Blu-ray, both 4K restoration, see DVDBeaver caps
No caps on France Elephant Films Blu-ray
Director: Josef von Sternberg
Indicator Blu-ray has better encoding than Criterion Blu-ray, both 4K restoration, see DVDBeaver caps
No caps on France Elephant Films Blu-ray
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: László Kardos
Director: László Kardos
Director: George Sidney
Director: George Sidney
Director: Wesley Ruggles
Director: Wesley Ruggles
Director: Irving Reis
Director: Irving Reis
Director: Clarence Brown
Director: Clarence Brown
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Norman Taurog
Director: Norman Taurog
Director: Busby Berkeley
Director: Busby Berkeley
More Adventure on Blu-ray
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
France M6 4K Blu-ray has Dolby Vision, but is inferior with more washed out colors and inferior encoding plus no hardcoded subtitles for the Portuguese language parts
Directors: Phil Lord & Christopher Miller
Amazon MGM 4K Blu-ray SteelBook with mixed aspect ratio 1.43:1/2.39:1
Directors: Phil Lord & Christopher Miller
Amazon MGM 4K Blu-ray SteelBook with mixed aspect ratio 1.43:1/2.39:1
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Directors: Gary Trousdale & Kirk Wise
Directors: Gary Trousdale & Kirk Wise
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