The Spirit of St. Louis (1957)
Adventure, Drama, History • 2h 15m
Overview
In 1927, Charles Lindbergh struggles to finance and design an airplane that will make his New York to Paris flight the first solo transatlantic crossing.
Director: Billy Wilder
Cast: James Stewart, Murray Hamilton, Patricia Smith, Bartlett Robinson, Marc Connelly, Arthur Space, Charles Watts, Erville Alderson, Frances Allen, David Alpert, Walter Bacon, Gordon Barnes, Griff Barnett, Jimmy Bates, Brandon Beach, Paul Birch, Eumenio Blanco, Sheila Bond, Eugene Borden, Chet Brandenburg, Paul Brinegar, George Bruggeman, Robert Burton, John Carlyle, Noble 'Kid' Chissell, Virginia Christine, Rena Clark, Robert Cornthwaite, Jack Daly, Richard Deacon, Pauline Drake, Duke Fishman, Slim Gaut, Roy Gordon, Dabbs Greer, Kit Guard, Creighton Hale, Olin Howland, J. Anthony Hughes, Dick Johnstone, Walter Kingson, Richard LaMarr, Norman Leavitt, Johnny Lee, Nelson Leigh, Herbert Lytton, James Macklin, Maurice Manson, David Orrick McDearmon, John McKee, David McMahon, William Meader, Russell Meeker, Gordon Mitchell, Ann Morrison, George Nardelli, Stuart Nedd, Bill Neff, James O'Rear, Alan Paige, Jack Perrin, Lee Roberts, James Robertson Jr., Robert Robinson, Syd Saylor, Scott Seaton, George Selk, Bernard Sell, Cap Somers, Aaron Spelling, Brick Sullivan, Ernie Taylor, Percival Vivian, Max Wagner, Harlan Warde, Ray Walker, Will J. White, Robert B. Williams, Rush Williams, Carleton Young, Chief Yowlachie
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Director: Billy Wilder
Director: Billy Wilder
Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source
Kino Lorber 4K Blu-ray / Paramount EU Blu-ray
Old Warner Bros US release is inferior.
Director: Billy Wilder
Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source
Kino Lorber 4K Blu-ray / Paramount EU Blu-ray
Old Warner Bros US release is inferior.
Director: Billy Wilder
Director: Billy Wilder
UK MoC Blu-ray has the better encoding
US Kino Lorber Blu-ray has inferior encoding and likely suffers from the Quicktime Gamma Bug see caps
MOC Blu-ray or MGM Laserdisc
Eureka MOC is far superior to Kino with also more printed booklet extras. The reconstruction work, transfer and extras date back to MGM's Laserdisc attempt. The LD master and materials were ported to the MGM DVD which in turn was paired with an updated HD master for the BDs. The film still cries out for a proper modern restoration and reconstruction attempt with the partially surviving cut sequences. The extras on LD also have PCM audio and one of the visuals in one of the cut episodes is more untouched which is censored for nudity on the modern versions. It's small but the particular element has been blurred on most versions today.
UK MoC Blu-ray has the better encoding
US Kino Lorber Blu-ray has inferior encoding and likely suffers from the Quicktime Gamma Bug see caps
MOC Blu-ray or MGM Laserdisc
Eureka MOC is far superior to Kino with also more printed booklet extras. The reconstruction work, transfer and extras date back to MGM's Laserdisc attempt. The LD master and materials were ported to the MGM DVD which in turn was paired with an updated HD master for the BDs. The film still cries out for a proper modern restoration and reconstruction attempt with the partially surviving cut sequences. The extras on LD also have PCM audio and one of the visuals in one of the cut episodes is more untouched which is censored for nudity on the modern versions. It's small but the particular element has been blurred on most versions today.
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Arrow 4K Blu-ray (transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Director: Billy Wilder
Arrow 4K Blu-ray (transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Director: Billy Wilder
Kino Lorber 4K Blu-ray disappointing
Kino UHD has frozen grain and other artifacts from a Paramount master with the usual lackluster Kino encoding.
Director: Billy Wilder
Kino Lorber 4K Blu-ray disappointing
Kino UHD has frozen grain and other artifacts from a Paramount master with the usual lackluster Kino encoding.
Director: Billy Wilder
Germany Plaion Blu-ray has better encoding and Kino Lorber Blu-ray likely suffers from the Quicktime Gamma Bug, see caps
Director: Billy Wilder
Germany Plaion Blu-ray has better encoding and Kino Lorber Blu-ray likely suffers from the Quicktime Gamma Bug, see caps
Director: Billy Wilder
Germany Plaion Blu-ray has the best encoding, and both MoC and Kino Lorber Blu-ray have Quicktime Gamma Bug see caps
For encoding, Plaion > MoC > Kino Lorber
Director: Billy Wilder
Germany Plaion Blu-ray has the best encoding, and both MoC and Kino Lorber Blu-ray have Quicktime Gamma Bug see caps
For encoding, Plaion > MoC > Kino Lorber
More Adventure on Blu-ray
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
3D: 2011 Fox 3D Blu-ray (exclusive with Sony 3D TV bundles in the US)
3D: 2011 Fox 3D Blu-ray
All home video releases are open matte 16:9. No home release in the theatrical scope presentation.
The original theatrical 7.1 mix has not been given a home release.
3D: 2011 Fox 3D Blu-ray (exclusive with Sony 3D TV bundles in the US)
3D: 2011 Fox 3D Blu-ray
All home video releases are open matte 16:9. No home release in the theatrical scope presentation.
The original theatrical 7.1 mix has not been given a home release.
Director: Zhang Yimou
Director: Zhang Yimou
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Michael Arias
Director: Michael Arias
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