Hi, Nellie! (1934)
Comedy, Drama, Crime • 1h 15m
Overview
Managing Editor Brad Bradshaw refuses to run a story linking the disappearance of Frank Canfield with embezzlement of the bank. He considers Frank a straight shooter and he goes easy on the story. Every other paper goes with the story that Frank took the money and Brad is demoted, by the publisher, to the Heartthrob column - writing advice to the lovelorn. After feeling sorry for himself for two months, he takes the column seriously and makes it the talk of the town. But Brad still wants his old job back so he will have to find Canfield and the missing money.
Director: Mervyn LeRoy
Cast: Paul Muni, Glenda Farrell, Ned Sparks, Robert Barrat, Berton Churchill, Kathryn Sergava, Hobart Cavanaugh, Douglass Dumbrille, Edward Ellis, Paul Kaye, Donald Meek, Dorothy Libaire, Marjorie Gateson, George Meeker, Harold Huber, Allen Vincent, Pat Wing, Frank Reicher, George Chandler, George Humbert, Nina Campana, James Donlan, Antonio Filauri, Howard Hickman, Milton Kibbee, Frank Marlowe, Ralph McCullough, Harold Miller, Bob Montgomery, Bert Moorhouse, John Qualen, Gus Reed, Harry Seymour, Sidney Skolsky, Renee Whitney, Jack Wise, Sidney Miller
Film Detective or Film Masters Blu-ray 4K restoration from 35mm Original Camera Negative
Film Detective or Film Masters Blu-ray 4K restoration from 35mm Original Camera Negative
Director: Nick Grindé
Director: Nick Grindé
Director: William Beaudine
Director: William Beaudine
Director: George B. Seitz
Director: George B. Seitz
Director: Lionel Barrymore
Director: Lionel Barrymore
Director: Frank Tuttle
Director: Frank Tuttle
Directors: Ernest B. Schoedsack & Merian C. Cooper
Directors: Ernest B. Schoedsack & Merian C. Cooper
Director: Cecil B. DeMille
Director: Cecil B. DeMille
Director: James Whale
MoC 4K Blu-ray. Here are some screenshots that include the Cohen Blu-ray and the poor Germany 4K with terrible fake HDR. David’s DV grade is way more subtle and doesn’t blow out the highlights
Director: James Whale
MoC 4K Blu-ray. Here are some screenshots that include the Cohen Blu-ray and the poor Germany 4K with terrible fake HDR. David’s DV grade is way more subtle and doesn’t blow out the highlights
Directors: Ray Enright & Busby Berkeley
Directors: Ray Enright & Busby Berkeley
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Directors: John Ford & Mervyn LeRoy
Directors: John Ford & Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: Mervyn LeRoy
Director: James Foley
Director: James Foley
Director: Rob Reiner
HD Streaming or old Warner Bros DVD
HD Streaming or old Warner Bros DVD
Director: Rob Reiner
HD Streaming or old Warner Bros DVD
HD Streaming or old Warner Bros DVD
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Warner Bros 4K Blu-ray Sept. 2026
Warner Bros 4K Blu-ray Sept. 2026
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison
Warner Bros Blu-ray for the uncut version, but it's a older master.
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison
Warner Bros Blu-ray for the uncut version, but it's a older master.
WB Blu-ray sounds superior to 4K Blu-ray and DVD which have additional filtering.
WB Blu-ray sounds superior to 4K Blu-ray and DVD which have additional filtering.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
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