John Qualen
23 Films
John Qualen
23 Included Films

From Wikipedia, the free encyclopedia John Qualen (born Johan Mandt Kvalen, December 8, 1899 – September 12, 1987) was a Canadian-American character actor of Norwegian heritage who specialized in Scandinavian roles. Qualen was born in Vancouver, British Columbia, the son of immigrants from Norway; his father was a Lutheran minister and changed the family's original surname, "Kvalen", to "Qualen" – though some sources give Oleson, later Oleson Kvalen as Qualen's earlier surnames. His father's ministering meant many moves and John was 20 when he graduated from Elgin High School in 1920. Though he was awarded a scholarship to Northwestern University after he won an oratory contest he never attended college. In a Milwaukee Journal interview he said he needed to start working and did so with the Chattaqua Circuit. Eventually reaching Broadway, he gained his big break as the Swedish janitor in Elmer Rice's Street Scene. His movie career began when he recreated the role in the film version. This was followed by his appearance in John Ford's Arrowsmith (1931) which began a more than thirty year membership in the director's "stock company", with important supporting roles in The Searchers (1956), Two Rode Together (1961), The Man Who Shot Liberty Valance (1962) and Cheyenne Autumn (1964). Appearing in well over one hundred films, and acting extensively on television into the 1970s, Qualen performed many of his roles with various accents, usually Scandinavian, often intended for comic effect. Three of his more memorable roles showcase his versatility. Qualen assumed a Midwestern dialect as Muley, who recounts the destruction of his farm by the bank in Ford's The Grapes of Wrath (1940), and as the confused killer Earl Williams in Howard Hawks' classic comedy His Girl Friday (also 1940). As Berger, the jewelry-selling Norwegian resistance member in Michael Curtiz' Casablanca (1942), he essayed a light Scandinavian accent, but put on a thicker Mediterranean accent as the homeward-bound fisherman Locota in William Wellman's The High and the Mighty (1954) Qualen was treasurer of The Authors Club and historian of The Masquers, Hollywood's social group for actors. John Qualen was blind in his later years. He died of heart failure in 1987 in Torrance, California, and was interred in the Forest Lawn Memorial Park in Glendale. He was survived by his three daughters.

Director: John Ford

Director: John Ford

Director: King Vidor

Director: King Vidor

Director: William Wyler

Director: William Wyler

Director: Roy Del Ruth

Director: Roy Del Ruth

Director: Mervyn LeRoy

Director: Mervyn LeRoy

Director: Lloyd Bacon

Director: Lloyd Bacon

Director: Clarence Brown

Director: Clarence Brown

Director: William A. Wellman
2018 Kino Lorber Remastered Blu-ray
2018 Kino Lorber Remastered Blu-ray, new 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm but overall much better compared to the older Kino Lorber Blu-ray
MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel

Director: William A. Wellman
2018 Kino Lorber Remastered Blu-ray
2018 Kino Lorber Remastered Blu-ray, new 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm but overall much better compared to the older Kino Lorber Blu-ray
MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel

Director: Leigh Jason

Director: Leigh Jason

Director: Tay Garnett
R1 WB Archives MOD DVD-R

Director: Tay Garnett
R1 WB Archives MOD DVD-R

Director: Howard Hawks
Criterion 4K Blu-ray (not by much, caps)
Closest to original: 1995 Columbia LaserDisc
From cbc: "I much prefer the 4K Blu-ray track. LaserDisc has several nasty constant hums, and even after you remove that, the detail level is on-par with the 4K Blu-ray and has a lot of crackling. The 4K Blu-ray has some variable noise reduction, but it's done well and non-intrusive IMO, I watched it with that track and was happy."

Director: Howard Hawks
Criterion 4K Blu-ray (not by much, caps)
Closest to original: 1995 Columbia LaserDisc
From cbc: "I much prefer the 4K Blu-ray track. LaserDisc has several nasty constant hums, and even after you remove that, the detail level is on-par with the 4K Blu-ray and has a lot of crackling. The 4K Blu-ray has some variable noise reduction, but it's done well and non-intrusive IMO, I watched it with that track and was happy."


Director: Anatole Litvak

Director: Anatole Litvak

Director: Michael Curtiz

Director: Michael Curtiz



Director: Harry Essex

Director: Harry Essex

Director: John Farrow

Director: John Farrow

Director: John Ford
4K Blu-ray is muffled, even compared to already poor WB Blu-ray, from nicolas: "The most noise reduction of any release, leaving hardly anything above 8 kHz. Bass content has also been removed globally."

Director: John Ford
4K Blu-ray is muffled, even compared to already poor WB Blu-ray, from nicolas: "The most noise reduction of any release, leaving hardly anything above 8 kHz. Bass content has also been removed globally."

Director: Otto Preminger
Sony 4K Blu-ray Columbia Classics Vol 2
1986 RCA/Columbia LaserDisc

Director: Otto Preminger

Paramount 4K Blu-ray but poor encode, no alternatives though

Paramount 4K Blu-ray but poor encode, no alternatives though
23 films