Snow White and the Seven Dwarfs (1938)
Fantasy, Animation, Family • 1h 23m
Overview
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
Directors: David Hand & Ben Sharpsteen & William Cottrell & Larry Morey & Perce Pearce & Wilfred Jackson
Director: Jacques Tourneur
Director: Jacques Tourneur
Director: Ridley Scott
Theatrical Cut: Fox 4K Blu-ray
2003 Directors Cut: Fox 4K Blu-ray
Theatrical Cut: Fox 4K Blu-ray
2003 Directors Cut: Fox 4K Blu-ray (additional scenes appear to be upscaled)
Original Theatrical 70mm 6-Track Stereo: Fox 4K Blu-ray (DTS-HD MA 4.1)
Original Theatrical 35mm Matrixed Dolby Stereo: 1999 DVD? (2.0 mix on the UHD is a downmix)
2003 Directors Cut:Fox 4K Blu-ray, Fox Blu-ray (DTS-HD MA 5.1)
Director: Ridley Scott
Theatrical Cut: Fox 4K Blu-ray
2003 Directors Cut: Fox 4K Blu-ray
Theatrical Cut: Fox 4K Blu-ray
2003 Directors Cut: Fox 4K Blu-ray (additional scenes appear to be upscaled)
Original Theatrical 70mm 6-Track Stereo: Fox 4K Blu-ray (DTS-HD MA 4.1)
Original Theatrical 35mm Matrixed Dolby Stereo: 1999 DVD? (2.0 mix on the UHD is a downmix)
2003 Directors Cut:Fox 4K Blu-ray, Fox Blu-ray (DTS-HD MA 5.1)
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Directors: Bill Roberts & Paul Satterfield & Wilfred Jackson & Ben Sharpsteen & James Algar & T. Hee & Hamilton Luske & Samuel Armstrong & Jim Handley & Norman Ferguson & David Hand & Ford Beebe Jr.
1991 CAV LaserDisc includes an approximation of the original Fantasound mix in Dolby Surround using the surviving magnetic mixdown, using Stokowski's original mixing notes as a reference. Original aggressive pans and dynamic range are left in tact.
The 2000 DVD uses this same mix in discrete 5.0, but with some unnecessary dynamic range compression + a redub of all Deems Taylor audio with Corey Burton.
The 7.1 mix on the 2010 Blu-ray sounds poor, having been hit with excessive noise reduction, dynamic range compression, original aggressive pans no longer in tact, and the channel usage no longer resembles Stokowski's original intended sound design.
Directors: Bill Roberts & Paul Satterfield & Wilfred Jackson & Ben Sharpsteen & James Algar & T. Hee & Hamilton Luske & Samuel Armstrong & Jim Handley & Norman Ferguson & David Hand & Ford Beebe Jr.
1991 CAV LaserDisc includes an approximation of the original Fantasound mix in Dolby Surround using the surviving magnetic mixdown, using Stokowski's original mixing notes as a reference. Original aggressive pans and dynamic range are left in tact.
The 2000 DVD uses this same mix in discrete 5.0, but with some unnecessary dynamic range compression + a redub of all Deems Taylor audio with Corey Burton.
The 7.1 mix on the 2010 Blu-ray sounds poor, having been hit with excessive noise reduction, dynamic range compression, original aggressive pans no longer in tact, and the channel usage no longer resembles Stokowski's original intended sound design.
Director: George Cukor
Director: George Cukor
Director: James Whale
Universal Complete Legacy Collection 4K Blu-ray set on September 26 2026
?
Director: James Whale
Universal Complete Legacy Collection 4K Blu-ray set on September 26 2026
?
Director: James Whale
Universal Complete Legacy Collection 4K Blu-ray set on September 26 2026
1993 CIC Video LaserDisc
Director: James Whale
Universal Complete Legacy Collection 4K Blu-ray set on September 26 2026
1993 CIC Video LaserDisc
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Robert Altman
Director: Robert Altman
Director: David Hand
Director: David Hand
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
4K restoration shown in IMAX cinemas
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
Japanese audio: 2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray/US GKIDS Blu-ray
English dub (Disney): 1998 US Disney VHS has better sounding vocals despite altered music and sound effects, the US Disney LaserDisc has limited audio
Releases from 2010 onward have the original music and sound effects, but distorted vocals
English dub (Streamline): 1996 Japan LaserDisc, available in Ghibli Aa Ippai Collection boxset
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
4K restoration shown in IMAX cinemas
2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray
Japanese audio: 2014 Japan "Hayao Miyazaki Collection" Studio Ghibli Blu-ray/US GKIDS Blu-ray
English dub (Disney): 1998 US Disney VHS has better sounding vocals despite altered music and sound effects, the US Disney LaserDisc has limited audio
Releases from 2010 onward have the original music and sound effects, but distorted vocals
English dub (Streamline): 1996 Japan LaserDisc, available in Ghibli Aa Ippai Collection boxset
Disney 4K Blu-ray has neutered audio compared to OG home video release
Cinema DTS or DVD DTS 5.1 is better and has more bass.
The 4K Blu-ray and Blu-ray lack the bonus features found in the old Collector's Edition DVD release. The France Blu-ray has all extras plus an isolated score.
Disney 4K Blu-ray has neutered audio compared to OG home video release
Cinema DTS or DVD DTS 5.1 is better and has more bass.
The 4K Blu-ray and Blu-ray lack the bonus features found in the old Collector's Edition DVD release. The France Blu-ray has all extras plus an isolated score.
Director: Michael Mann
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Director: Michael Mann
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Theatrical Cut: Old Warner Bros DVD or fan restoration
Revised Cut: 2012 Japan Blu-ray for less revisionist colors, 2022 Disney 4K Blu-ray is controversially regraded and too dark overall.
Director: Peter Weir
Disney 4K Blu-ray announced for September 29, 2026
Director: Peter Weir
Disney 4K Blu-ray announced for September 29, 2026
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release, including the 2010 2D Blu-ray, has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release, including the 2010 2D Blu-ray, has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2000 and 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: Taika Waititi
2D: Disney 4K Blu-ray
3D: International Disney 3D Blu-ray
2D: Disney 4K Blu-ray
3D: International Disney 3D Blu-ray
Director: Taika Waititi
2D: Disney 4K Blu-ray
3D: International Disney 3D Blu-ray
2D: Disney 4K Blu-ray
3D: International Disney 3D Blu-ray
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Domee Shi
Director: Domee Shi
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
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