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Empire of the Sun (1987)
Empire of the Sun (1987) poster

Empire of the Sun (1987)

Drama, History, War • 2h 33m

Director: Steven Spielberg

Best English-friendly & video release

Updated 11 months ago


About the film

Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.

More from Steven Spielberg

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Director: Steven Spielberg

Video format: UHD Blu-ray

Best English-Friendly, Video & Audio:

Universal 4K

Video Notes:

Dolby Vision grading looks identical to a cinema DCP, which is the highest compliment that could be given. Encode is perfectly solid in motion.

Director: Steven Spielberg

4K · Solid
Best English-Friendly:

Paramount 4K Blu-ray Purist choice: Blu-ray

Sources: YouTube (opens in a new tab)

Best Video:

Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading

Best Audio:

Blu-ray 5.1

Additional Info:

The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.

DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW

Director: Steven Spielberg

Best English-Friendly & Video:

US Paramount Blu-ray

Upcoming Release:

Paramount 4K Blu-ray Dec 15th

Video Notes:

US Paramount Blu-ray > International WB Blu-ray

Director: Steven Spielberg

4K · Worse Than BD
Best English-Friendly & Video:

2015 Universal Blu-ray

Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)

Video Notes:

The new Universal 4K is AI upscaled https://slow.pics/c/5jD2BjKT and sharpened, see discussion on BR https://forum.blu-ray.com/showthread.php?t=377660&page=9

Director: Steven Spielberg

4K · Solid
Best English-Friendly & Video:

Universal 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Audio:

1995/1997 MCA LaserDisc

Director: Steven Spielberg

4K · Worse Than BD
Best English-Friendly & Video:

35mm/70mm scan, Japan WOWOW Broadcast version, letterbox LaserDisc or DVD for purist version, Paramount 4K Blu-ray heavily revisionist

Sources: fanrestore.com (opens in a new tab) · YouTube (opens in a new tab)

Best Audio:

1992 LaserDisc Dolby Surround, DVD 5.1 (70mm mix), 1991 Japan LaserDisc PCM (Dolby Stereo home version)

Additional Info:

The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The color timing and Atmos remix are thankfully taming the excessively overdone terrible Blu-ray in those areas but neither is fully accurate. The Atmos remix sounds lifeless and essentially tames the crazy LFE of the Blu-ray remix that never stopped while also spreading the sound around overhead. The music is absolutely lifeless here. If it weren't for the visual changes it might be possible to regrade the picture master and just live with the encoding noise. As it is, purists will want the LaserDisc, DVD or Japan WOWOW broadcast of the Laser Pacific master which is the same master used for the awful Blu-ray just without the hideous color grading applied.
The DVD was handled by Lowry Digital and is overscrubbed like crazy plus had all sorts of DVD era edge enhancement and other issues. It instigated the digital changes of the boulder rod and snake reflection removals. The ONLY widescreen versions of the film without ANY changes are the 1992 LaserDisc and the 1999 final release VHS.

Audio wise, Raiders is EXTREMELY complex. Like the Star Wars trilogy it had three specific release mixes with variations and differences plus a fourth mix that was not used. The mono mix had unique bits and has never been officially released though you can hear bits of it on the 2003 bonus DVD and in the Raiders in Concert live symphony performances. The Dolby Stereo is roughly what was used on all pre-widescreen editions on VHS, Beta and LaserDisc in the 80's. The best iteration of that is the 1991 Japan LaserDisc reissue with PCM digital sound. This iteration is more of a home version as it doesn't really have much surround. Yet it retains dynamic range unlike the 1985 home video remix of Star Wars' Dolby Stereo track. The 70mm Dolby six track magnetic audio was supposedly used in making the excellent sounding 5.1 made for the DVD release. Before the release the film was mixed in the very short lived VistaSonic process which was Paramount backed. This was dropped very last minute as the system had tons of playback issues and the film was apparently hastily remixed in Dolby formats. When the first letterboxed transfer showed up on the 1992 Paramount LaserDisc release all of a sudden the Dolby Surround encoded matrix track it contained is without question the best sounding mix of Raiders you can find anywhere. It is more aggressive than the Dolby Stereo, more punchy than the DVD 5.1 and even contains a unique different sound effect which indicates it is clearly a different mix. It is unknown if this is the abandoned VistaSonic mix or a new quiet Dolby Surround home mix akin to the 1993 Star Wars Definitive Collection remix. To this day, the LaserDisc Dolby surround is the best sounding version of Raiders you are likely ever to hear. Even though it isn't discrete.
The Blu-ray remix though supervised by Ben Burtt went overboard on making everything aggressive and modernized. The LFE is virtually nonstop even in dialogue scenes. It is a textbook case of revisionist audio desecration. The 4K Blu-ray Atmos merely tames the LFE and reduces impact even more by moving around more elements and adding more processing. Both of these remixes are a crime.

DFIC extensive review: https://youtu.be/evsrJOTIjdA

Director: Steven Spielberg

Video format: UHD Blu-ray

4K · Worse Than BD
Best English-Friendly:

35mm scan, Blu-ray, DVD or LaserDisc

Sources: YouTube (opens in a new tab)

Best Video:

Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc

Best Audio:

LaserDisc 2.0 matrix stereo, DVD 5.1, Blu-ray 5.1

Additional Info:

The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time. There was also a rare SVHS release using the letterbox LaserDisc master.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release, Last Crusade had Dolby 70mm with stereo surrounds, Dolby Stereo SR for 35mm and was mixed in a THX sound theater to ensure the ultimate in technical quality in 1989. The DVD was supposedly made from the 70mm mix and the Blu-ray 5.1 seems to bring that into lossless. This is unconfirmed but each seems to be a healthy and accurate version of the original audio. However, the LaserDisc despite only having matrix PCM stereo is punchier and livelier as a listening experience. Despite not being discrete it arguably sounds better than the 5.1 versions. Some who remember seeing each of the original release versions claim to remember the 35mm Dolby DR as sounding better than the 70mm Dolby.  This is a case where both sound great and it's up to fans to decide which they prefer. Both are essential for any Indy collection and the LaserDisc is very cheap. The VHS hifi seems to be the same 2.0 matrix with format differences so it can also be compared against the DVD and Blu-ray 5.1 versions.

DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW

Director: Steven Spielberg

Video format: UHD Blu-ray

4K · Worse Than BD
Best English-Friendly:

35mm scan, Blu-ray, DVD or LaserDisc.

Sources: YouTube (opens in a new tab)

Best Video:

Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc.

Best Audio:

Letterbox LaserDisc 2.0 matrix stereo, DVD 5.1, Blu-ray 5.1

Additional Info:

The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release Temple of Doom had 70mm, 35mm Dolby Stereo and mono mixes. The mono was for 16mm and other outlets and is presumably close to if not a mixdown of the stereo. It is seemingly the last Lucasfilm title that had a mono mix made. The Dolby Stereo is one of the most aggressive matrix mixes ever made and is still a blast to this day on the letterbox LaserDisc release. It is more aggressive than any of the 5.1 discrete versions which is either due to studios taming the audio later or the 35mm mix being handled a bit differently to the 70mm mix. In terms of releases today, the LaserDisc still sounds better than DVD, Blu-ray or 4K Blu-ray because of this factor.

DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW

Director: Steven Spielberg

4K · Solid
Best English-Friendly & Video:

Universal 4K Blu-ray Trilogy Steelbook 2025

Sources: Blu-ray.com (opens in a new tab)

Video Notes:

But has more DNR than old 4K

But has more DNR than old 4K

https://forum.blu-ray.com/showpost.php?p=23286334&postcount=7340

Director: Steven Spielberg

4K · Disappointing
Best English-Friendly & Video:

"Director's Cut" (Theatrical cut with minor changes): Universal 4K Blu-ray

Theatrical Cut: VHS

TV Cut: Fan restoration

Best Audio:

1993 MCA LaserDisc (with EQ adjusted)

More from Warner Bros

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Director: Steve Gordon

Best English-Friendly & Video:

WB Blu-ray

Director: Alfred Hitchcock

Video format: UHD Blu-ray

4K · Solid
Best English-Friendly & Video:

WB 4K

Sources: YouTube (opens in a new tab)

Video Notes:

An undeniably significant improvement from the BD yet still severely flawed. See DFIC's review.

Best Audio:

1984 MGM Hi-Fi VHS

Director: Frank Darabont

4K · Solid
Best English-Friendly & Video:

2021 WB 4K Blu-ray

Sources: Blu-ray.com (opens in a new tab)

Best Audio:

2008 US Blu-ray 5.1

Audio Notes:

(the 2021 4K's 5.1 was flawed, with unnecessary bad tweaking)

Director: Sam Peckinpah

4K · Excellent
Best English-Friendly:

Criterion 4K Blu-ray or Germany Plaion Blu-ray or WB DVD depending on the cut.

Best Video:

First Preview (Turner): Germany Plaion Blu-ray

Second Preview (Final Preview): Germany Plaion Blu-ray

Theatrical: Criterion 4K Blu-ray

2005 Cut: WB DVD

2024 Cut: Criterion 4K Blu-ray

Video Notes:

Directors: Ernest B. Schoedsack & Merian C. Cooper

Best English-Friendly & Video:

WB Blu-ray

Director: Orson Welles

4K · Excellent
Best English-Friendly:

WB 4K Blu-ray

Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)

Best Video:

WB Europe 4K Blu-ray

Video Notes:

WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)

Director: Sylvester Stallone

4K · Excellent
Best English-Friendly & Video:

Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)

Additional Info:

All foreign language tracks were pitched too low, replacement disc and Ultimate Knockout Collection disc fixed the error. 

The Steelbook and UK standard edition are the same disc as the 2023 knockout collection. 

Director: Sylvester Stallone

4K · Excellent
Best English-Friendly & Video:

2024 Ultimate Knockout Collection Warner Bros 4K Blu-ray Box Set 

Video Notes:

2024 Ultimate Knockout Collection Warner Bros 4K Blu-ray Box Set > 2023 Knockout Collection 4K Blu-ray

2023 disc has a brief moment where the aspect ratio changes from 1.85:1 to 1.78:1, 2024 release fixed the error

Additional Info:

Both cuts of the movie are on the same disc and don’t appear to be seamlessly branched. 

The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.

Director: John G. Avildsen

4K · Excellent
Best English-Friendly & Video:

Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)

Upcoming Release:

Capelight 4K Blu-ray

Best Audio:

Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc

Audio Notes:

Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc > Knockout collection original.

The Mono mix on the initial release of the Knockout Collection is a stereo fold-down of the 5.1, it also has a missing piano cue. The replacement disc and the ultimate knockout version fixed the error. 

Additional Info:

The Steelbook and UK standard edition is the same disc as the 2023 knockout collection.

Director: Sylvester Stallone

4K · Excellent
Best English-Friendly & Video:

Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)

Additional Info:

Original Knockout Collection release had its 5.1 mix pitched too low, replacement disc and Ultimate Knockout Collection fixed the error. 

The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.

More Drama on Blu-ray

Director: Robert Altman

4K · Excellent
Best English-Friendly & Video:

Vinegar Syndrome Cinématographe 4K Blu-ray

Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)

Video Notes:

Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.

YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.

Director: Roman Polanski

4K · Solid
Best English-Friendly & Video:

Carlotta France 4K Blu-ray

Sources: Blu-ray.com (opens in a new tab)

Upcoming Release:

UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379

Video Notes:

Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)

Director: Alan J. Pakula

Best English-Friendly & Video:

Olive Films Blu-ray

Director: Vincente Minnelli

Best English-Friendly & Video:

MGM Blu-ray

Director: John Woo

4K · Excellent
Best English-Friendly & Video:

Arrow 4K Blu-ray or Imprint 4K Blu-ray

Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)

Upcoming Release:

Plaion Germany 4K Blu-ray

Video Notes:

Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56

Best Audio:

Original mix: Shout! Factory 4K Blu-ray

Alternate mix: Scanbox Nordic PAL DVD

Surround remix: HK Video France 4K Blu-ray (5.0)

Audio Notes:

Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)

Alternate mix: Scanbox Nordic PAL DVD

Surround remix: HK Video France 4K Blu-ray (5.0)

Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.

Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.

Additional Info:

Arrow has a much better translation.

Arrow LE has the Taiwan Extended Cut which will not be present on the standard edition. However, Imprint is FiM and has its own archival extras not present on the Arrow.

Director: Richard Brooks

Best English-Friendly & Video:

Warner Archive Blu-ray

Video Notes:

4K restoration from Original Camera Negative

Director: Vincent Sherman

Best English-Friendly & Video:

Warner Archive Blu-ray

Video Notes:

4K restoration from Original Camera Negative

Director: Jonathan Demme

4K · Excellent
Best English-Friendly & Video:

Arrow 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Audio:

1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray

Additional Info:

Criterion Blu-ray has exclusive extras

Director: Compton Bennett

Best English-Friendly & Video:

Warner Archive Blu-ray

Video Notes:

4K restoration from original technicolor negatives

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tyyux

· last reviewed 11 months ago

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