Shock and Awe (2017)
History, Drama, Thriller • 1h 30m
Overview
A group of journalists covering George Bush's planned invasion of Iraq in 2003 are skeptical of the presidents claim that Saddam Hussein has "weapons of mass destruction."
Director: Rob Reiner
Cast: Woody Harrelson, James Marsden, Rob Reiner, Tommy Lee Jones, Jessica Biel, Milla Jovovich, Richard Schiff, Luke Tennie, Terence Rosemore, Margo Moorer, Michael Harding, Kate Butler, Luke White, Gabe White, Bowen Hoover, Caroline Fourmy, Teri Wyble, Al Sapienza, Steve Coulter, Gretchen Koerner, Jake Reiner, Julie Mun, Marcus Lyle Brown, Wayne Pére, Anthony Reynolds, Han Soto, Jay Seals, Carl Palmer, Michael Harrity, Jack Topalian, Ned Yousef, Stephanie Honoré, Ariadne Joseph, J. Omar Castro, Ava Knighten Santana, Michael Scott, Tadasay Young, Devyn A. Tyler, Preston James Hillier, Lindsay Ayliffe, John Newberg, Tony Bentley, David Moncrief, Terry Dale Parks, Ameer Baraka, Alex Collins, Josh Ahrens, William Curtis Coppersmith, Larry McGhee, Andrew Najar, Michelle Taylor, Heath F. Borne, Shayne Tingle, Christopher Gill, Elisa Gabrielli, Jack Blessing, Milena Mortati, Aaron Mitchell
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Sony 2023 Steelbook 4K Blu-ray
Sony 2023 Steelbook Edition 4K Blu-ray> Sony 2019 Standard Edition 4K Blu-ray
Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
Original Mono mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray Sony Blu-ray
The DVD has an isolated score track
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono
Director: Rob Reiner
Sony 2023 Steelbook 4K Blu-ray
Sony 2023 Steelbook Edition 4K Blu-ray> Sony 2019 Standard Edition 4K Blu-ray
Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
Original Mono mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray Sony Blu-ray
The DVD has an isolated score track
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Turbine Germany 4K Blu-ray has a few exclusive extras
Director: Rob Reiner
Turbine Germany 4K Blu-ray has a few exclusive extras
Director: Rob Reiner
Director: Rob Reiner
More History on Blu-ray
Director: Maurice Cloche
Director: Maurice Cloche
Director: Alan Crosland
Director: Alan Crosland
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Dwain Esper
Kino Lorber Blu-ray was mastered in 2K and 4K from the original 35mm negatives and several 35mm prints
Director: Dwain Esper
Kino Lorber Blu-ray was mastered in 2K and 4K from the original 35mm negatives and several 35mm prints
Director: Michael Mann
Netherlands Remain in Light or UK Universal 4K Blu-ray
Netherlands Remain in Light or UK Universal 4K Blu-ray, See caps: Ferrari (2023) | Slowpoke Pics
Netherlands Remain in Light
All three discs come from the same master and share the same Dolby Vision grade, with identical dynamic metadata and CMv4.0 on all three. The Eagle Pictures disc is the only Profile 7 FEL, the Remain in Light and Universal UK discs are both MEL. On paper that gives the Italian finer coding precision, but it doesn't buy anything on this film, the grain is heavy enough to hide base layer quantisation on its own and none of the three discs bands. It also costs something, the Eagle Pictures encode noticeably smooths grain in flatter, low contrast areas, so a fair bit of fine texture that both other discs keep is simply gone. Edges and overall definition are fine, but the Dutch and UK discs clearly hold the film's texture better and are the ones to get. Between those two it's very close, with the Dutch keeping slightly more grain across most of the scenes checked. Worth noting as well, the Dutch and UK discs have their title cards in English while the Italian keeps them in Italian.
Caps comp: Ferrari (2023) | Slowpoke Pics
Director: Michael Mann
Netherlands Remain in Light or UK Universal 4K Blu-ray
Netherlands Remain in Light or UK Universal 4K Blu-ray, See caps: Ferrari (2023) | Slowpoke Pics
Netherlands Remain in Light
All three discs come from the same master and share the same Dolby Vision grade, with identical dynamic metadata and CMv4.0 on all three. The Eagle Pictures disc is the only Profile 7 FEL, the Remain in Light and Universal UK discs are both MEL. On paper that gives the Italian finer coding precision, but it doesn't buy anything on this film, the grain is heavy enough to hide base layer quantisation on its own and none of the three discs bands. It also costs something, the Eagle Pictures encode noticeably smooths grain in flatter, low contrast areas, so a fair bit of fine texture that both other discs keep is simply gone. Edges and overall definition are fine, but the Dutch and UK discs clearly hold the film's texture better and are the ones to get. Between those two it's very close, with the Dutch keeping slightly more grain across most of the scenes checked. Worth noting as well, the Dutch and UK discs have their title cards in English while the Italian keeps them in Italian.
Caps comp: Ferrari (2023) | Slowpoke Pics
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: Roland Emmerich
Sony 4K Blu-ray (theatrical only in 4K)
Sony 4K Blu-ray Steelbook upcoming with Dolby Vision and both cuts in 4K
Sony 4K Blu-ray (theatrical only in 4K)
The LPCM 5.1 from the old Extended BD and the DTS-HD 5.1 from the new Extended UHD are exactly the same. The DTS-HD tracks on both of the theatrical UHDs are also the same, and in fact appear to be lossless versions of the Superbit DTS mix with no tampering.
Director: Roland Emmerich
Sony 4K Blu-ray (theatrical only in 4K)
Sony 4K Blu-ray Steelbook upcoming with Dolby Vision and both cuts in 4K
Sony 4K Blu-ray (theatrical only in 4K)
The LPCM 5.1 from the old Extended BD and the DTS-HD 5.1 from the new Extended UHD are exactly the same. The DTS-HD tracks on both of the theatrical UHDs are also the same, and in fact appear to be lossless versions of the Superbit DTS mix with no tampering.
Director: Oliver Hirschbiegel
Canada Blu-ray or Netherlands Blu-ray? better than Constantin Germany 4K Blu-ray
Director: Oliver Hirschbiegel
Canada Blu-ray or Netherlands Blu-ray? better than Constantin Germany 4K Blu-ray
Director: Oliver Stone
2025 Shout! Factory 4K Blu-ray
2025 Shout! Factory 4K Blu-ray
Atmos remix: 2025 Shout! Factory 4K Blu-ray
Original 5.1 surround mix: 2007 Paramount Blu-ray (lossy AC-3 640k)
The original mix has better dynamics range. The 5.1 tracks on the SF release are downmixes.
Target exclusive 3 disc DVD have extras omitted from the Shout! Factory release
Director: Oliver Stone
2025 Shout! Factory 4K Blu-ray
2025 Shout! Factory 4K Blu-ray
Atmos remix: 2025 Shout! Factory 4K Blu-ray
Original 5.1 surround mix: 2007 Paramount Blu-ray (lossy AC-3 640k)
The original mix has better dynamics range. The 5.1 tracks on the SF release are downmixes.
Target exclusive 3 disc DVD have extras omitted from the Shout! Factory release
Edit History
