Gentleman Jim (1942)
Drama, Comedy • 1h 44m
Overview
As bare-knuckled boxing enters the modern era, brash extrovert Jim Corbett uses new rules and dazzlingly innovative footwork to rise to the top of the boxing world.
Director: Raoul Walsh
Cast: Errol Flynn, Alexis Smith, Jack Carson, Alan Hale, John Loder, William Frawley, Minor Watson, Ward Bond, Madeleine Lebeau, Monte Blue, Pat Flaherty, Arthur Shields, Dorothy Vaughan, Hooper Atchley, Milton Kibbee, Richard Kipling, Charles Lang, Edwin August, Eric Mayne, Charles Meakin, Count Stefenelli, Clara Blandick, Winifred Harris, Wade Boteler, Walter Byron, Hal Craig, Robert Fiske, Georgia Caine, Mary Gordon, Johnny Calkins, Lon McCallister, Davison Clark, Wallis Clark, Joseph Crehan, Freddie Steele, Dick Wessel, Harry Crocker, Wade Crosby, William B. Davidson, William 'Wee Willie' Davis, Jean Del Val, Joe Devlin, Dudley Dickerson, Peggy Diggins, Joan Winfield, Lester Dorr, Lew Harvey, Victor Zimmerman, James Flavin, Art Foster, Jack Gardner, Frank Hagney, Creighton Hale, Mathew McCue, Bert Hanlon, Carl Harbaugh, Jack Herrick, Herbert Heywood, Si Jenks, Tor Johnson, Fred Kelsey, Joe King, Ed Lewis, George Lloyd, Charles Marsh, John Maxwell, Frank Mayo, Mike Mazurki, Pat McKee, Wilmuth Merkyl, Leo White, Jack Wise, Frank Moran, Pat Moriarity, Wedgwood Nowell, Pat O'Malley, Lee Phelps, Emory Parnell, Jack Roper, Syd Saylor, Edwin Stanley, Sammy Stein, Dan Tobey, Charlotte Treadway, Emmett Vogan, Charles C. Wilson
Director: Raoul Walsh
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Raoul Walsh
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Kino Lorber Cary Grant Collection Blu-ray
Kino Lorber Cary Grant Collection Blu-ray
Director: Raoul Walsh
Kino Lorber Cary Grant Collection Blu-ray
Kino Lorber Cary Grant Collection Blu-ray
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: Raoul Walsh
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: Cecil B. DeMille
Director: Cecil B. DeMille
Director: Elia Kazan
Director: Elia Kazan
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Jacques Tourneur
Director: Jacques Tourneur
Director: Abel Ferrara
Director: Abel Ferrara
Director: Anthony Mann
Director: Anthony Mann
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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