Best English-friendly & video release · updated 11 months ago
Overview
Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold.
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
> Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
But still a bit overly noise-managed.
1984 CBS/Fox Hi-Fi VHS maybe better?
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
1991 MCA LaserDisc
Director: Billy Wilder
Kino Lorber 4K Blu-ray is a fine release with no glaring encode issues, the new master is also fine but graded to look quite dim in HDR/DV. Unsure whether that's really respectful to the source
Kino Lorber 4K Blu-ray / Paramount EU Blu-ray
Old Warner Bros US release is inferior.
Director: Billy Wilder
Sources: caps-a-holic (opens in a new tab)
UK MoC Blu-ray has the better encoding
US Kino Lorber Blu-ray has inferior encoding and likely suffers from the Quicktime Gamma Bug see caps
MOC Blu-ray or MGM Laserdisc
Eureka MOC is far superior to Kino with also more printed booklet extras. The reconstruction work, transfer and extras date back to MGM's Laserdisc attempt. The LD master and materials were ported to the MGM DVD which in turn was paired with an updated HD master for the BDs. The film still cries out for a proper modern restoration and reconstruction attempt with the partially surviving cut sequences. The extras on LD also have PCM audio and one of the visuals in one of the cut episodes is more untouched which is censored for nudity on the modern versions. It's small but the particular element has been blurred on most versions today.
Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
(transfer of the 1989 MGM LaserDisc, without problems plaguing Kino Lorber's release)
Arrow UHD is an update of the original 4K scan done for their BD. It is also visually far superior to the Kino version and adds Dolby Vision HDR. The Arrow UHD uses a new LD mono capture and has none of the issues or processing found in the Kino UHD which also used an LD mono capture and somehow mucked it up. Short of a brand new scan, the Arrow UHD is as good as it possibly can be.
Director: Billy Wilder
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
Kino UHD has frozen grain and other artifacts from a Paramount master with the usual lackluster Kino encoding.
Director: Billy Wilder
Sources: caps-a-holic (opens in a new tab)
Germany Plaion Blu-ray has better encoding and Kino Lorber Blu-ray likely suffers from the Quicktime Gamma Bug, see caps
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Germany Plaion Blu-ray has the best encoding, and both MoC and Kino Lorber Blu-ray have Quicktime Gamma Bug see caps
For encoding, Plaion > MoC > Kino Lorber
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
TV series
4K restoration from Original Camera Negative for all episodes
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: Norman Taurog
4K restoration from Original Camera Negative
Director: Delbert Mann
4K restoration from Original Camera Negative
More Comedy on Blu-ray
Director: Bruce Robinson
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray has stronger encode than Criterion
Director: Olivier Assayas
Sources: Criterion Forum (opens in a new tab)
Encoding is clunky on both Arrow and Criterion BDs but Arrow at least included the original stereo mix in addition to the 5.1 remix, while Criterion only included the 5.1 remix.
4K restoration from Original Camera Negative
Director: Garson Kanin
Video format: 1080p Blu-ray
Only Streaming has 1080p
Director: Preston Sturges
No information on French Elephant Films Blu-ray
Director: Ralph Bakshi
Director: Tommy O'Haver
Director: Peter Bogdanovich
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Eureka UK are considering doing a 4K and actively exploring the possibility: https://forum.blu-ray.com/showpost.php?p=24363810&postcount=264
Wonderful underlying remaster by Criterion and Resillion, but NexSpec encode has clipped highlights with the occasional blockiness. The Criterion Blu-Ray, sourced from their 4K remaster, ironically makes for a more consistent and overall pleasing experience.
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