Best English-friendly & video release · updated 1 year ago
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slow.pics (opens in a new tab)Overview
A Western action film about two men who escape from prison to take revenge on the person who betrayed them. Harry’s actions ensure that William and his friend get sent to prison. They escape, and want to take revenge on Harry. Harry's wife warns the sheriff, and as William and his friend are chasing Harry on horseback, they are shot by the sheriff.
Director: D.W. Griffith
Sources: moma.org (opens in a new tab)
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: D.W. Griffith
Sources: filmpreservationsociety.org (opens in a new tab)
4K scan of 35mm https://www.filmpreservationsociety.org/inventory/kid-boots-bluray-2025
Director: D.W. Griffith
Film Preservation Society Blu-ray Douglas Fairbanks Lost Films Double Feature as extras
Director: D.W. Griffith
Video format: 1080p Blu-ray
Sources: slow.pics (opens in a new tab)
Unfortunately looks like got an AI upscale pass with the focus being all over the places see https://slow.pics/c/CN22JOv0
Director: D.W. Griffith
Director: D.W. Griffith
Twilight Time > BFI >> Kino Lorber/MoC
Director: Dorothy Arzner
Director: Allan Dwan
Director: Christy Cabanne
Director: Fred Niblo
Sources: hometheaterforum.com (opens in a new tab) · YouTube (opens in a new tab)
Film Preservation Society Blu-ray is a newer restoration than the previous Cohen one. From various review like Robert Harris and Damn Fool Crusade this new restoration is really good.
Director: Paul Sloane
Director: William S. Hart
More Western on Blu-ray
Director: John Ford
TV series
4K restoration from Original Camera Negative for all episodes
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Sources: Criterion Forum (opens in a new tab)
The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Eureka MOC Blu-ray
The film only exists in MGM letterbox masters and the HD version upgrades the DVD presentation. Sadly the film still needs a modern restoration and a better audio source. The master holds up very well today regardless and has a very natural appearance. The Eureka BD is far superior to the Kino in encode and extras making it easily the only version to consider.
Director: Anthony Mann
Video format: 1080p Blu-ray
Criterion Blu-ray
Sources: Criterion Forum (opens in a new tab)
Criterion Blu-ray upgrade removes the pictureboxing of their old DVD transfer. New HD discussion extra added to the DVD supplements package and reprints the rare out of print source novel as a paperback.
Director: James Neilson
Video format: 1080p Blu-ray
Kino Lorber Blu-ray
2003 Universal DVD
The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino BD is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino BD adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
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