A Decree of Destiny (1911)
Drama, Romance • 17m
Overview
Kenneth Marsden, a young artist in failing health is advised to go south to New Orleans, where he expects to find accommodation with an old-time friend of his mother. The old lady receives the son of her dear friend with open arms, but her two convent-bred nieces, Mary and Edith, are horrified at the thought of a man in the house. However, it isn't long after his arrival that he has made a decided impression upon the young ladies.
Director: D.W. Griffith
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: D.W. Griffith
Film Preservation Society Blu-ray Douglas Fairbanks Lost Films Double Feature as extras
Film Preservation Society Blu-ray Douglas Fairbanks Lost Films Double Feature as extras
Director: D.W. Griffith
Film Preservation Society Blu-ray Douglas Fairbanks Lost Films Double Feature as extras
Film Preservation Society Blu-ray Douglas Fairbanks Lost Films Double Feature as extras
Director: D.W. Griffith
Film Preservation Society Blu-ray, unfortunately looks like got an AI upscale pass with the focus being all over the places see https://slow.pics/c/CN22JOv0
Director: D.W. Griffith
Film Preservation Society Blu-ray, unfortunately looks like got an AI upscale pass with the focus being all over the places see https://slow.pics/c/CN22JOv0
Directors: D.W. Griffith & Christy Cabanne
Directors: D.W. Griffith & Christy Cabanne
Director: D.W. Griffith
Director: D.W. Griffith
Director: D.W. Griffith
Director: D.W. Griffith
Twilight Time > BFI >> Kino Lorber/MoC
Twilight Time > BFI >> Kino Lorber/MoC
Director: Dorothy Arzner
Director: Dorothy Arzner
Director: Allan Dwan
Director: Allan Dwan
Director: Christy Cabanne
Director: Christy Cabanne
Director: Marshall Neilan
Director: Marshall Neilan
Director: Fred Niblo
Film Preservation Society Blu-ray is a newer restoration than the previous Cohen one. From various review like Robert Harris and Damn Fool Crusade this new restoration is really good.
Director: Fred Niblo
Film Preservation Society Blu-ray is a newer restoration than the previous Cohen one. From various review like Robert Harris and Damn Fool Crusade this new restoration is really good.
Director: Paul Sloane
Director: Paul Sloane
Director: William S. Hart
Director: William S. Hart
More Drama on Blu-ray
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Vincent Ward
Director: Vincent Ward
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: John Ford
Director: John Ford
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Edit History
12/25/2025
Best Video Release
From
Film Preservation Society Blu-ray 4K scan of 35mm
From
Film Preservation Society Blu-ray 4K scan of 35mm
9/15/2025
Best Video Release
To
Film Preservation Society Blu-ray 4K scan of 35mm
To
Film Preservation Society Blu-ray 4K scan of 35mm
9/9/2025