Driving Miss Daisy (1989)
Drama • 1h 39m
Overview
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
Director: Bruce Beresford
Cast: Morgan Freeman, Jessica Tandy, Dan Aykroyd, Patti LuPone, Esther Rolle, Joann Havrilla, Ray McKinnon, Crystal R. Fox, Bob Hannah, William Hall Jr., Alvin M. Sugarman, Clarice F. Geigerman, Muriel Moore, Sylvia Kaler, Carolyn Gold, Ashley Josey, Jack Rousso, Fred Faser, Indra A. Thomas, Trilby Beresford, Dean DuBois, Jay Freer, Jen Harper, D. Taylor Loeb
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: John Ford
Director: John Ford
Director: Frank Capra
Director: Frank Capra
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Edmund Goulding
Director: Edmund Goulding
Director: Victor Fleming
4K Blu-ray upcoming in Fall 2026
Director: Victor Fleming
4K Blu-ray upcoming in Fall 2026
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: René Clair
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Director: René Clair
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Director: René Clair
Director: René Clair
Director: Marcel Carné
New 2016 Pathé France 4K transfer > Criterion/Second Sight with old transfer heavy DNR https://slow.pics/c/z8p3fR0G
Director: Marcel Carné
New 2016 Pathé France 4K transfer > Criterion/Second Sight with old transfer heavy DNR https://slow.pics/c/z8p3fR0G
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: Jean-Pierre Melville
Criterion 4K Blu-ray & Pathé 4K Blu-ray have different gradings (preference). Opening scene on Criterion looks significantly worse, but similar elsewhere.
Director: Jean-Pierre Melville
Criterion 4K Blu-ray & Pathé 4K Blu-ray have different gradings (preference). Opening scene on Criterion looks significantly worse, but similar elsewhere.
More Drama on Blu-ray
Director: Andrzej Wajda
Director: Andrzej Wajda
Director: Rolf de Heer
Director: Rolf de Heer
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Vincent Ward
Director: Vincent Ward
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
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12/25/2025
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