I Married a Witch (1942)
Comedy, Romance, Fantasy, Horror • 1h 14m
Overview
A 17th-century witch returns to wreak havoc in the life of a descendant of the Puritan witch hunter who burned her.
Director: René Clair
Cast: Fredric March, Veronica Lake, Robert Benchley, Susan Hayward, Cecil Kellaway, Elizabeth Patterson, Robert Warwick, Georgia Backus, Charles Bates, Brooks Benedict, Billy Bevan, Edward Biby, Marie Blake, Monte Blue, Aldrich Bowker, Al Bridge, Nora Cecil, Ann Carter, Chester Conklin, Gordon De Main, Emma Dunn, Ralph Dunn, Mary Field, Bess Flowers, Joe Gilbert, Florence Gill, Robert Greig, Eily Malyon, Charles R. Moore, Viola Moore, Emory Parnell, Helen St. Rayner, John Alban, Beverly Andre, Billy Bletcher, Wade Boteler, Eddy Chandler, Georgie Cooper, Gino Corrado, Jack Deery, Frank Elliott, Franklyn Farnum, Jack Gardner, George Guhl, William Haade, Reed Hadley, Oscar 'Dutch' Hendrian, Robert Homans, Esther Howard, Arthur Stuart Hull, Donivee Lee, Peter Leeds, Jack Luden, Renny McEvoy, David McKim, James Millican, Frank Mills, Edmund Mortimer, Ralph Peters, Gerald Pierce, Mickey Rentschler, Cyril Ring, Ronald R. Rondell, Loretta Russell, Kathryn Sheldon, Ernest Shields, Lee Shumway, Bert Stevens, Amzie Strickland, Harry Tyler, Dan White
Director: Garson Kanin
Director: Garson Kanin
Director: Gregory La Cava
Criterion Blu-ray, although there's a bit of aggressive grain management see https://forum.blu-ray.com/showpost.php?p=15853770&postcount=43
Director: Gregory La Cava
Criterion Blu-ray, although there's a bit of aggressive grain management see https://forum.blu-ray.com/showpost.php?p=15853770&postcount=43
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Richard Wallace
Director: Richard Wallace
Director: Will Jason
Unofficial Streaming
Director: Will Jason
Unofficial Streaming
Director: Edward Buzzell
Warner Archive Esther Williams: Volume 1 DVD
Warner Archive Esther Williams: Volume 1 DVD.
Also available on SD Streaming
Director: Edward Buzzell
Warner Archive Esther Williams: Volume 1 DVD
Warner Archive Esther Williams: Volume 1 DVD.
Also available on SD Streaming
Director: Howard Hawks
Warner Archive DVD. Also available on Amazon Streaming in SD
Director: Howard Hawks
Warner Archive DVD. Also available on Amazon Streaming in SD
Director: W.S. Van Dyke
Director: W.S. Van Dyke
VCI US or Filmjuwelen Blu-ray
VCI US or Filmjuwelen Blu-ray are both MP2 encoded, most likely from the same master. Judging from the size and the caps from DVDBeaver or BR for VCI or caps-a-holic for Filmjuwelen, they are probably very similar.
VCI US or Filmjuwelen Blu-ray
VCI US or Filmjuwelen Blu-ray are both MP2 encoded, most likely from the same master. Judging from the size and the caps from DVDBeaver or BR for VCI or caps-a-holic for Filmjuwelen, they are probably very similar.
Director: René Clair
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Director: René Clair
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Included as extras in Pathé Paris qui dort + Entr'acte Blu-ray
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
The latest and best restoration from official screencaps are from Shout! Factory Silent Film Festival + Cinémathèque Française https://silentfilm.org/preservation/the-italian-straw-hat/ which is from Original Camera Negative and original France title negative. Janus seems to have acquired the rights https://www.janusfilms.com/films/2259 The Grapevine Blu-ray (including their updated 2K transfer) or the Flicker Alley DVD might be the ones referred in the above Shout! Factory Silent Film Festival as "US viewers have had to be satisfied with either the alternate version that was released in the United States in 1931, or hybrids that supplement the US version with additional footage"
Director: René Clair
The latest and best restoration from official screencaps are from Shout! Factory Silent Film Festival + Cinémathèque Française https://silentfilm.org/preservation/the-italian-straw-hat/ which is from Original Camera Negative and original France title negative. Janus seems to have acquired the rights https://www.janusfilms.com/films/2259 The Grapevine Blu-ray (including their updated 2K transfer) or the Flicker Alley DVD might be the ones referred in the above Shout! Factory Silent Film Festival as "US viewers have had to be satisfied with either the alternate version that was released in the United States in 1931, or hybrids that supplement the US version with additional footage"
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
Director: René Clair
No home release, BFI has 35mm print
Director: René Clair
No home release, BFI has 35mm print
Director: René Clair
Director: René Clair
Director: Rob Reiner
Director: Rob Reiner
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Wicked Vision Germany 4K Blu-ray or US Criterion 4K Blu-ray?
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
Director: Wong Kar-Wai
4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD
4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.
Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD
Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD
The remixed track has different front panning and little LFE use compared to the original.
HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.
The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.
Director: Billy Wilder
Director: Billy Wilder
Director: Martin Ritt
Director: Martin Ritt
Director: Andrzej Wajda
Director: Andrzej Wajda
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