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Nora Cecil

Nora Cecil

33 films on Best Blurays1 in 4K23 in HD9 in SD

Nora Cecil photo

Nora Cecil (September 20, 1878 – May 1, 1951) was a British-American character actress whose 30-year career spanned both the silent and sound film eras. Cecil's career began on the stage, where she appeared in a single Broadway production, The Sleeping Beauty and the Beast, which ran for more than 240 performances at the Broadway Theatre in 1901-02. (A 1930 newspaper article says that Cecil "made her debut, three decades ago, on the London stage.") Cecil appeared in well over 100 feature films and film shorts. In 1915, she moved from the stage into films, her first appearance being in a starring role in The Arrival of Perpetua, directed by Émile Chautard. She often played "thin-lipped, stern-visaged dowagers and forbidding mothers-in-law" and "welfare workers, landladies, schoolmistresses and maiden aunts". One of the most significant roles was in the W.C. Fields vehicle, The Old Fashioned Way in 1934. Some of the other notable films in which Cecil appeared include: Ernst Lubitsch's historical romance, The Merry Widow, starring Maurice Chevalier and Jeanette MacDonald; the 1939 version of The Adventures of Huckleberry Finn, starring Mickey Rooney; the John Ford classic, Stagecoach, with John Wayne. Her final acting performance was in a featured role in Mourning Becomes Electra in 1947, starring Rosalind Russell.

Biography from Wikipedia via TMDB

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Supporting role · Director: Erle C. Kenton

Best English-Friendly & Video:

Kino Lorber or Elephant Films France Blu-ray

Video Notes:

No comparison available

Supporting role · Director: Robert Z. Leonard

Best English-Friendly & Video:

Warner Archive DVD

Supporting role · Director: W.S. Van Dyke

Best English-Friendly & Video:

Warner Archive DVD

Small role · Director: George Stevens

Video format: DVD

Best Video:

Unofficial DVD, likely from TCM Streaming

Small role · Director: Lambert Hillyer

Best English-Friendly & Video:

Sony Blu-ray

Small role · Director: Erle C. Kenton

Best English-Friendly & Video:

Kino Lorber Blu-ray

Small role · Director: Maurice Tourneur

Best English-Friendly & Video:

Milestone OOP Rags & Riches: The Mary Pickford Collection Blu-ray

Small role · Director: William A. Wellman

Best English-Friendly & Video:

2018 Kino Lorber Remastered Blu-ray

Sources: DVDBeaver (opens in a new tab)

Video Notes:

New 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm  but overall much better compared to the older Kino Lorber Blu-ray

Additional Info:

MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel

Small role · Director: Ernst Lubitsch

Best English-Friendly:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Video:

Criterion HD resto

Small role · Director: John Ford

Video format: HD Streaming

Best English-Friendly & Video:

HD Streaming

Small role · Director: King Vidor

Best English-Friendly & Video:

VCI Blu-ray, 4K resto

Small role · Director: Mitchell Leisen

Best English-Friendly & Video:

Kino Lorber Blu-ray

Small role · Director: Raoul Walsh

Best English-Friendly & Video:

Warner Archive DVD

Small role · Director: Busby Berkeley

Video format: HD Streaming

Best English-Friendly & Video:

No Blu-ray, 1080p Streaming

Small role · Director: Frank Capra

Best English-Friendly & Video:

Sony Blu-ray

Small role · Director: Clarence Brown

Best English-Friendly & Video:

Warner Archive DVD

Small role · Director: William A. Seiter

Best English-Friendly & Video:

Kino Lorber Blu-ray

Small role · Director: Richard Thorpe

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: René Clair

Best English-Friendly & Video:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab)

Small role · Director: John Ford

Best English-Friendly & Video:

Warner Archive Blu-ray

Video Notes:

Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation

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