Paddington 2 (2017)
Adventure, Comedy, Family • 1h 44m
Director: Paul King
Cast: Ben Whishaw, Sally Hawkins, Hugh Bonneville, Madeleine Harris, Samuel Joslin, Julie Walters, Hugh Grant, Imelda Staunton, Brendan Gleeson, Jim Broadbent, Peter Capaldi, Ben Miller, Jessica Hynes, Michael Gambon, Noah Taylor, Tom Davis, Aaron Neil, Tom Conti, Sanjeev Bhaskar, Joanna Lumley, Kobna Holdbrook-Smith, Simon Farnaby, Richard Ayoade, Nicholas Woodeson, Eileen Atkins, Marie-France Alvarez, Shola Adewusi, Nadine Marshall, Michael Mears, Louis Partridge, Robbie Gee, Enzo Squillino Jr., Sam Payne, Catherine Shepherd, Claire Keelan, Meera Syal, Geoffrey Lumb, Alex Jordan, Virgile Elana, Emeson Nwolie, Nicholas Lumley, Stephen McDade, Deepak Anand, Cal McCrystal, Geoff Banks, Jamie Demetriou, Stewart Gilchrist, Justin Edwards, Kya Garwood, Maggie Steed, Tim FitzHigham, Joel Fry, David J Biscoe, Dan Antopolski, Gus Brown, David Sant, Jennie Legat, John Shearer, Hiten Patel, Jag Patel, Tom Knight
Best English-friendly, video & audio release · updated 1 year ago
2K upscale, poor in HDR10 and better in DV due to the extremely bright grade. WB MOD uses the same master
StudioCanal UK 4K Blu-ray has 2018 Atmos mix carried over. WB MOD Atmos mix at a lower volume.
UHD tiers
2K upscale, poor in HDR10 and better in DV due to the extremely bright grade with the 2018 Atmos mix carried over
2K upscale, poor in HDR10 and better in DV due to the extremely bright grade with the 2018 Atmos mix carried over
Overview
Paddington, now happily settled with the Browns, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy, but it is stolen.
Director: Paul King
StudioCanal UK 4K Blu-ray minimal picture upgrade (2K upscale)
StudioCanal UK 4K Blu-ray has good new Atmos mix
Director: Hayao Miyazaki
Video format: UHD Blu-ray
2026 Japan Studio Ghibli (remastered) Blu-ray
France 4K Blu-ray announced
Remastered Blu-ray only included as a pack-in with the 4K Blu-ray. Includes English subtitles and a dub, which the 4K Blu-ray does not.
Japan Studio Ghibli 4K Blu-ray
UK StudioCanal Blu-ray for the English dub
4K Blu-ray includes the original 5.1 mix in its unaltered form, all other releases after the LaserDisc, as well as the remastered Blu-ray, had its dynamic range lowered.
For the English dub, the UK StudioCanal Blu-ray is the least limited mix.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Roman Polanski
Kino Lorber disc has audio pitch errors
Director: Celine Song
Sources: Blu-ray.com (opens in a new tab)
UK StudioCanal Blu-ray is the better release. Plaion Italy 4K Blu-ray has macroblocking and chroma noise issues, and the US Lionsgate Blu-ray has elevated gamma levels and macroblocking https://forum.blu-ray.com/showpost.php?p=22310555&postcount=31
Director: Carol Reed
StudioCanal 4K Blu-ray or Lionsgate Limited 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray/Lionsgate Limited 4K Blu-ray (shared encode); slight improvement over the 2015 StudioCanal Blu-ray
StudioCanal/LG UHDs
StudioCanal/LG UHDs port the 1999 Criterion DVD, considered the best source
StudioCanal has a remastered Blu-ray, Lionsgate only a 4K Blu-ray
Director: David Lynch
StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
2D: Spain Emon Blu-ray
3D: US Lionsgate, Germany StudioCanal, or Netherlands Entertainment One 3D Blu-ray?
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
More Adventure on Blu-ray
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering; WB 4K early pressing has errors of a shot, later pressings fixed. Comparison between Criterion and WB.
6-Track 70mm mix: Criterion 4K Blu-ray (restored for the box set), 1997 MGM LaserDisc, 1998 MGM DVD
35mm Mono Mix: Criterion 4K Blu-ray
Matrixed Stereo Remix: MGM Japan LaserDisc (1985) [G158F5509]
5.1 Remix: Criterion 4K Blu-ray
Director: John Boorman
Sources: highdefdiscnews.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
(Arrow 4K Blu-ray's mono seems to be out of sync, suggested by comparisons. Issue is TBC officially)
Arrow 4K Blu-ray is FiM encoded, see caps
Arrow LE will have an exclusive 3rd disc which will not be on the standard edition
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: Simon Wincer
Sources: Blu-ray.com (opens in a new tab)
4K is defective with color space issues and poor encoding, UHD replacement disc is also defective with worse encode. The UHD has visible artifacts from the bad encoding. The HDR is overdone and the Paramount 4K master has grain management.
The new Kino Blu-ray has none of the UHD's problems and is superior to the UHD in every way though it still uses the same Paramount master.
DVD 5.1 or LaserDisc 5.1 AC3, LD PCM 2.0 for the matrix stereo version. The LD and DVD seem to be the theatrical audio mix untouched with plenty of low end. This low end like a number of 90's Paramount titles was mixed out or tamed on subsequent releases.
The Lionsgate BD and Paramount BD share the same lackluster HD master with DNR and image distortion. The Lionsgate is much better encoded but has a 7.1 remix which messed up the original mix design by lessening all the great Foley work in favor of the score. The Paramount BD had a 5.1 lossless version of the original mix but it's a new version where the bass has been tamed so the track has lost its punch. The Kino Lorber UHD and Blu-ray recycle this same lesser 5.1 mastering. The original mix can still be heard on LD and DVD. The 2.0 stereo on the Kino is matrixed but also does not sound as good as the 2.0 matrix audio on DVD or LD.
Kino has a replacement program for the defective UHD to fix the color space issue. The new disc is not marked, has a worse encode AND DOES NOT FIX THE COLOR SPACE! Thus it is a worse defective disc version of the original defective disc.
The Billy Zane interview on the Kino BD has technical issues in the editing and clip quality used.
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Video format: 1080p Blu-ray
Director: Martin Rosen
Sources: Criterion Forum (opens in a new tab)
Director: Nicolas Roeg
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray poor compression, otherwise Second Sight has best Blu-ray
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