A Clockwork Orange (1971)
Science Fiction, Crime • 2h 17m
Director: Stanley Kubrick
Cast: Malcolm McDowell, Patrick Magee, Carl Duering, Michael Bates, Warren Clarke, James Marcus, Michael Tarn, Miriam Karlin, Adrienne Corri, Sheila Raynor, Philip Stone, Aubrey Morris, Clive Francis, John Clive, Paul Farrell, Michael Gover, Godfrey Quigley, Madge Ryan, Anthony Sharp, Pauline Taylor, Margaret Tyzack, Steven Berkoff, Lindsay Campbell, David Prowse, Barrie Cookson, Jan Adair, Gaye Brown, Peter Burton, John J. Carney, Alec Wallis, John Savident, Vivienne Chandler, Richard Connaught, Prudence Drage, Carol Drinkwater, Lee Fox, Cheryl Grunwald, Gillian Hills, Craig Hunter, Shirley Jaffe, Virginia Wetherell, Neil Wilson, Katya Wyeth, Jack Arrow, Shane Shelton, Norman Gay, Katharina Kubrick
WB 4K Blu-ray
Best English-friendly release · updated 3 months ago
Upcoming
Criterion Box Set
UHD tiers
Overview
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Director: John Carpenter
Universal 4K Blu-ray. Maybe Turbine Blu-ray instead for better audio?
1997? Signature Collection LD
Good: 2017 Arrow and 2016 Shout! Factory Blu-ray have the original audio options.
the only track on Universal 4K, which is in DTS:X, has a mixing error of around 6dB too low on side channels, otherwise very similar to other 5.1 mixes.
Director: W.S. Van Dyke
Warner Archive Blu-ray, 4k scan
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: George Stevens
Director: Ridley Scott
Theatrical Cut: Fox 4K Blu-ray
2003 Directors Cut: Fox 4K Blu-ray
Theatrical Cut: Fox 4K Blu-ray
2003 Directors Cut: Fox 4K Blu-ray (additional scenes appear to be upscaled)
Original Theatrical 70mm 6-Track Stereo: Fox 4K Blu-ray (DTS-HD MA 4.1)
Original Theatrical 35mm Matrixed Dolby Stereo: 1999 DVD? (2.0 mix on the UHD is a downmix)
2003 Directors Cut: Fox 4K Blu-ray, Fox Blu-ray (DTS-HD MA 5.1)
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
Criterion 4K Blu-ray FiM encode Caps
UK Warner Bros Steelbook 4K Blu-ray is slightly worse in encoding compared to FiM but otherwise excellent see caps
Uncensored: Cinema DTS
Censored: Criterion
Comparison
Director: Stanley Kubrick
Criterion Box Set
Kino Lorber 4K Blu-ray worse than Blu-ray with poor encoding (review)
Director: Stanley Kubrick
Criterion Box Set
WB 4K Blu-ray (early pressing has errors of a shot, later pressings fixed)
Director: Stanley Kubrick
Criterion Box Set
4K Blu-ray DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
US Criterion 4K Blu-ray > International WB 4K Blu-ray see caps. While WB has better highlights, Criterion resolves grains better and is believed to have a more accurate color grading.
For Criterion 4K Blu-ray: The better resolution and the subtly adjusted grading paired with HDR makes for a more rounded, fine-tuned experience. The encoding is a leap forward from the Blu-ray as darker shots are no longer a macroblocking mess on the 4K.
Source:
Director: Carol Reed
StudioCanal 4K Blu-ray or Lionsgate Limited 4K Blu-ray
StudioCanal 4K Blu-ray/Lionsgate Limited 4K Blu-ray (shared encode); slight improvement over the 2015 StudioCanal Blu-ray
StudioCanal/LG UHDs port the 1999 Criterion DVD, considered the best source
StudioCanal has a remastered Blu-ray, Lionsgate only a 4K Blu-ray
Director: Jūzō Itami
Criterion 4K Blu-ray is slightly better than French 4K Blu-ray see caps
Director: Ingmar Bergman
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
2026 Criterion 4K Blu-ray, confirmed to be uncut
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: Joachim Trier
Director: David Lynch
StudioCanal 4K Blu-ray > Criterion 4K Blu-ray.
StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Robert Altman
Director: Richard Linklater
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M_A,DISKANBGR8,vanshady,cbc,AdamA,Negativescans· last reviewed 3 months ago
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