Lady Windermere's Fan (1925)
Comedy, Drama • 2h
Overview
A society woman believes her husband is having an affair, a misconception which may have dire personal consequences for all involved.
Director: Ernst Lubitsch
Director: Charles Walters
Warner Archive 4K Blu-ray is a VistaVision remaster, FiM encode
Warner Archive 4K Blu-ray's new Atmos is based on the original tracks and the mono is said to be excellent
Director: Charles Walters
Warner Archive 4K Blu-ray is a VistaVision remaster, FiM encode
Warner Archive 4K Blu-ray's new Atmos is based on the original tracks and the mono is said to be excellent
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
Director: John Lasseter
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray
Original theatrical render: 35mm scans or 1996 Disney Deluxe Edition CAV LaserDisc boxset
Digital render: 2010 3D Blu-ray (every version since the 2000 DVD release including the 2D 2010 Blu-ray has animation errors. The majority of those were corrected for the 3D rerelease.) The 4K Blu-ray is merely upscaled from the 2K render.
Stereo Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
5.1 AC3 Mix: 1996 Disney Deluxe Edition CAV LaserDisc boxset
The 1997 DTS LaserDisc is a virtually untouched transfer of the theatrical 5.1 mix and should theoretically sound the best being that DTS has higher bitrates than AC3. However, the original pressing of the DTS LaserDisc has an error where the right channel is 8.5db lower than the rest. This is an easy fix in a program like Audacity, and if you can find a corrected transfer, like the ones on various fan projects online, it should be the best sounding version of the film.
The AC3 audio on Side 2 of the CLV LaserDisc has the LFE channel muted. This was left intact for the CAV release.
The 2005 UK DVD has an error where one of the shots is brightened up way too high (when the rest of the toys hold onto Slinky as he clings onto Woody during the moving truck rescue). Plus the end credits are interlaced (the PSP UMD video is the only way to get that version of the credits without interlacing).
The 4K Blu-ray has a further remixed Atmos track.
OG: "4K80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" on the high seas
Special Editon: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or1997 LaserDisc for the Special Edition.
OG: "4K80" on the high seas. If not, Disney 4K Blu-ray
Special Edition: "4K97_V" or "D+97_V" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K80" on the high seas
Special Editon: "4K97_V" or "D_97_VI" on the high seas. If not, the 4K Blu-rays are generally considered an improvement over the 2011 Blu-rays. (although both restorations are DNR'ed and have issues).
OG: LaserDisc audio is the best option for the Dolby Stereo mixes. 70mm six-track mix is included in 4K80 (taken from an actual 70mm print). There are 16mm rips of the mono mix.
Special Edition: Cinema DTS or1997 LaserDisc for the Special Edition.
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Director: George Lucas
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K77" or "D+77" on high seas.
Special Edition: "4K97_IV" or "D+97_IV" on high seas.
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Cinema DTS
The old 2 disc DVD has extras missing from 4K Blu-Ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Cinema DTS
The old 2 disc DVD has extras missing from 4K Blu-Ray
Director: Jennie Livingston
Director: Jennie Livingston
Director: Ernst Lubitsch
Subjective, but the concertina score by Bernard Wrigley on the OOP MoC Blu-ray is generally regarded as very weak. For example, it frequently doesn't match the action. The Meg Morley score on the Kino Lorber Blu-ray is considered superior.
Director: Ernst Lubitsch
Subjective, but the concertina score by Bernard Wrigley on the OOP MoC Blu-ray is generally regarded as very weak. For example, it frequently doesn't match the action. The Meg Morley score on the Kino Lorber Blu-ray is considered superior.
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Ernst Lubitsch
2021 Kino Lorber Blu-ray
Video comparisons: https://slow.pics/c/ryvPN8Uu
Audio comparisons: https://slow.pics/c/KEs7dwRg
Director: Ernst Lubitsch
The 1997 LaserDisc has more high end detail in the audio than the new restoration
Director: Ernst Lubitsch
The 1997 LaserDisc has more high end detail in the audio than the new restoration
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Director: Ernst Lubitsch
MoC OOP Blu-ray is likely to have better encoding than Kino Lorber Blu-ray judging from other movies in the boxset
Official Bundersarchiv 720p HD Streaming which given its release in 2025, likely to be the same new restoration by MoMA https://www.moma.org/calendar/events/11559
Official Bundersarchiv 720p HD Streaming which given its release in 2025, likely to be the same new restoration by MoMA https://www.moma.org/calendar/events/11559
Director: Frank Lloyd
Unofficial streaming
MoMA has 35mm print but no release yet
Director: Frank Lloyd
Unofficial streaming
MoMA has 35mm print but no release yet
Director: John G. Blystone
MoMA has completed digital restoration in 2026, no release yet
Director: John G. Blystone
MoMA has completed digital restoration in 2026, no release yet
Directors: Stewart Bird & Deborah Shaffer
Directors: Stewart Bird & Deborah Shaffer
Director: Yvonne Rainer
4K restoration done by MoMA and Kino Lorber as distributor, but no home release yet
Director: Yvonne Rainer
4K restoration done by MoMA and Kino Lorber as distributor, but no home release yet
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: Raoul Walsh
Director: Raoul Walsh
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray is a new MoMA 2K restoration
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray is a new MoMA 2K restoration
Director: Jerome Hill
Official HD Streaming https://vimeo.com/1145694559
Official HD Streaming https://vimeo.com/1145694559 new 2025 restoration with MoMA
Director: Jerome Hill
Official HD Streaming https://vimeo.com/1145694559
Official HD Streaming https://vimeo.com/1145694559 new 2025 restoration with MoMA
Director: William A. Wellman
2018 Kino Lorber Remastered Blu-ray
2018 Kino Lorber Remastered Blu-ray, new 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm but overall much better compared to the older Kino Lorber Blu-ray
MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel
Director: William A. Wellman
2018 Kino Lorber Remastered Blu-ray
2018 Kino Lorber Remastered Blu-ray, new 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm but overall much better compared to the older Kino Lorber Blu-ray
MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel
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