The Wobblies (1979)
Documentary • 1h 29m
Overview
Through oral histories, archival footage, photographs, and songs associated with the movement, "The Wobblies" tells the story of the Industrial Workers of the World, the radical union founded in Chicago in 1905 to organize workers across trades. Featuring interviews with aging Wobbly members alongside historical materials from early twentieth-century labor struggles, the film explores the union’s role in strikes, worker activism, and the broader fight for labor rights in the United States.
Directors: Stewart Bird & Deborah Shaffer
Cast: Charles Rydell, Anthony Bouza, Roger Baldwin
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: Martin Ritt
Director: Martin Ritt
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Director: John Cassavetes
Director: John Cassavetes
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Richard Linklater
Director: Richard Linklater
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Official Bundersarchiv 720p HD Streaming which given its release in 2025, likely to be the same new restoration by MoMA https://www.moma.org/calendar/events/11559
Official Bundersarchiv 720p HD Streaming which given its release in 2025, likely to be the same new restoration by MoMA https://www.moma.org/calendar/events/11559
Director: Frank Lloyd
Unofficial streaming
MoMA has 35mm print but no release yet
Director: Frank Lloyd
Unofficial streaming
MoMA has 35mm print but no release yet
Director: John G. Blystone
MoMA has completed digital restoration in 2026, no release yet
Director: John G. Blystone
MoMA has completed digital restoration in 2026, no release yet
Director: Yvonne Rainer
4K restoration done by MoMA and Kino Lorber as distributor, but no home release yet
Director: Yvonne Rainer
4K restoration done by MoMA and Kino Lorber as distributor, but no home release yet
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: Raoul Walsh
Director: Raoul Walsh
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray is a new MoMA 2K restoration
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray is a new MoMA 2K restoration
Director: Jerome Hill
Official HD Streaming https://vimeo.com/1145694559
Official HD Streaming https://vimeo.com/1145694559 new 2025 restoration with MoMA
Director: Jerome Hill
Official HD Streaming https://vimeo.com/1145694559
Official HD Streaming https://vimeo.com/1145694559 new 2025 restoration with MoMA
Director: William A. Wellman
2018 Kino Lorber Remastered Blu-ray
2018 Kino Lorber Remastered Blu-ray, new 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm but overall much better compared to the older Kino Lorber Blu-ray
MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel
Director: William A. Wellman
2018 Kino Lorber Remastered Blu-ray
2018 Kino Lorber Remastered Blu-ray, new 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm but overall much better compared to the older Kino Lorber Blu-ray
MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel
More Documentary on Blu-ray
Director: Bert Stern
Director: Bert Stern
Director: Dwain Esper
Kino Lorber Blu-ray was mastered in 2K and 4K from the original 35mm negatives and several 35mm prints
Director: Dwain Esper
Kino Lorber Blu-ray was mastered in 2K and 4K from the original 35mm negatives and several 35mm prints
Director: Jennie Livingston
Director: Jennie Livingston
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
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