Small role · Director: Federico Fellini
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
Criterion Essential Fellini Blu-ray is vastly superior to the old MoC Blu-ray see DVDBeaver comparisons
Small role · Director: Dario Argento
Sources: Criterion Forum (opens in a new tab)
Small role · Director: Sergio Leone
Sources: slow.pics (opens in a new tab)
Arrow 4K Blu-ray > Kino Lorber, see caps https://slow.pics/c/P4E9uTHR
Arrow 4K Blu-ray for English dub, Kino Lorber 2017 Blu-ray for Italy dub
Small role · Director: Sergio Corbucci
Filmjuwelen Germany 4K has the same problematic master, and some subtitles with errors and slightly out of sync, not-so-good encoding
Small role · Director: Federico Fellini
Sources: Criterion Forum (opens in a new tab)
Criterion Fellini Set
Small role · Director: Billy Wilder
Sources: caps-a-holic (opens in a new tab)
Germany Plaion Blu-ray has better encoding and Kino Lorber Blu-ray likely suffers from the Quicktime Gamma Bug, see caps
Small role · Director: William Wyler
The 4K Blu-ray 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. The Atmos mix is revisionist.
The 50th Anniversary box set has some exclusive extras.
1991 LaserDisc is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the Blu-ray. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LaserDisc 2.0 in terms of the mix, but the LaserDisc PCM mastering seems like the only one that is direct without any major processing.
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