James Caan
16 Films
James Caan
16 Included Films
James Edmund Caan (March 26, 1940 – July 6, 2022) was an American actor who was nominated for several awards, including four Golden Globes, an Emmy, and an Oscar. Caan was awarded a motion pictures star on the Hollywood Walk of Fame in 1978. After early roles in Howard Hawks's El Dorado (1966), Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), he came to prominence for playing his signature role of Sonny Corleone in The Godfather (1972), for which he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe for Best Supporting Actor. He reprised the role of Sonny Corleone in The Godfather Part II (1974) with a cameo appearance at the end. Caan had significant roles in films such as Brian's Song (1971), Cinderella Liberty (1973), The Gambler (1974), Rollerball (1975), A Bridge Too Far (1977), and Alan J. Pakula's Comes a Horseman (1978). He had sporadically worked in film since the 1980s, with his notable performances including roles in Thief (1981), Gardens of Stone (1987), Misery (1990), Dick Tracy (1990), Bottle Rocket (1996), The Yards (2000), Dogville (2003), and Elf (2003).
Director: Billy Wilder
Director: Billy Wilder
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Karel Reisz
Director: Karel Reisz
Director: Richard Rush
Director: Norman Jewison
Director: Norman Jewison
Australia Imprint 4K Blu-ray > US Kino Lorber 4K Blu-ray
See caps for Kino: caps. Here’s a particularly egregious example.
Kino Lorber has a exclusive commentary
Australia Imprint 4K Blu-ray > US Kino Lorber 4K Blu-ray
See caps for Kino: caps. Here’s a particularly egregious example.
Kino Lorber has a exclusive commentary
Director: Steven Spielberg
Director: Steven Spielberg
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
Arrow and Criterion 4K Blu-rays have differing extras, Arrow LE has Theatrical cut Blu-ray from older HD master, most likely from a 2K scan of an interpositive.
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
Arrow and Criterion 4K Blu-rays have differing extras, Arrow LE has Theatrical cut Blu-ray from older HD master, most likely from a 2K scan of an interpositive.
Director: Rob Reiner
UK Arrow 4K Blu-ray teased
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
Director: Rob Reiner
UK Arrow 4K Blu-ray teased
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
Director: Chuck Russell
Director: Chuck Russell
Director: Wes Anderson
Criterion 4K Blu-ray see caps and Chris's review
Director: Wes Anderson
Criterion 4K Blu-ray see caps and Chris's review
Lionsgate Limited 4K Blu-ray
Lionsgate Limited 4K Blu-ray
Lionsgate Limited 4K Blu-ray
Lionsgate Limited 4K Blu-ray
Director: Lars von Trier
Italy Eagle Pictures 4K Blu-ray or France Potemkine Blu-ray (needs gamma correction)
The movie was shot in HD and France Potemkine Blu-ray (needs gamma correction) has slightly stronger encoding than Italy Eagle Pictures 4K Blu-ray. Curzon Blu-ray is the worst of all three (not by much) see caps.
Director: Lars von Trier
Italy Eagle Pictures 4K Blu-ray or France Potemkine Blu-ray (needs gamma correction)
The movie was shot in HD and France Potemkine Blu-ray (needs gamma correction) has slightly stronger encoding than Italy Eagle Pictures 4K Blu-ray. Curzon Blu-ray is the worst of all three (not by much) see caps.
Director: Jon Favreau
Director: Jon Favreau
16 films