Films
The best release of every film, picked by the community. How we decide
6,200 films · page 62 of 310
Director: Moritz Mohr
Sources: Blu-ray.com (opens in a new tab)
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Ridley Scott
UK Universal 4K Blu-ray is missing Kino Lorber extras
Director: Paul Feig
Sources: slow.pics (opens in a new tab)
France 4K Blu-ray > Italy Eagle Pictures > US Lionsgate - caps
credits are in French though
Directors: Danny Philippou & Michael Philippou
Sources: slow.pics (opens in a new tab)
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Sources: slow.pics (opens in a new tab)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Michael Apted
Original matrixed Dolby Stereo: 2003 Sony/Columbia NTSC DVD 2.0
5.1 remix: 2024 Sony Blu-ray
The 5.1 track on the UHD is a remix originally included on the 2024 Blu-ray, but missing the LFE track. The UHD 2.0 track is a downmix of the faulty 5.1, severely lacking bass.
The digital track on the earlier LaserDisc is most likely the same as DVD, minus the lossy compression.
Director: Walter Salles
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
Original matrixed Dolby Stereo: Curzon 4K Blu-ray
Surround mix: Vision Film Polish PAL DVD (2000)
The surround mix is fully discrete, not a mere decode or upmix of the Dolby Stereo LCRS track. This mix has never appeared on any other releases.
Director: Ken Hughes
Sources: mega.nz (opens in a new tab)
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Newt Arnold
Sources: Blu-ray.com (opens in a new tab) · hdnumerique.com (opens in a new tab)
(the ESC 4K Blu-ray have no original 2.0 and a different Atmos mix. More about the ESC mix in this review)
Director: Peter Medak
Imprint 4K Blu-ray scheduled for August 2026 release



















