Clueless (1995)
Comedy, Romance • 1h 37m
Director: Amy Heckerling
Cast: Alicia Silverstone, Stacey Dash, Brittany Murphy, Paul Rudd, Donald Faison, Elisa Donovan, Breckin Meyer, Jeremy Sisto, Dan Hedaya, Aida Linares, Wallace Shawn, Twink Caplan, Justin Walker, Sabastian Rashidi, Herb Hall, Susan Mohun, Nicole Bilderback, Ron Orbach, Sean Holland, Roger Kabler, Jace Alexander, Josh Lozoff, Carl Gottlieb, Joseph D. Reitman, Anthony Beninati, Micki Duran, Gregg Russell, Jermaine Montell, Danielle Eckert, Amy Heckerling, Michael Klesic, Sam Macaroni, Monica Eva Foster
Paramount 4K Blu-ray
Best English-friendly release · updated 9 months ago
UHD tiers
Overview
Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was -- and falls for him.
Director: James Cameron
Best format: 1080p Blu-ray
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
Sources: facebook.com (opens in a new tab) · vimeo.com (opens in a new tab)
2013 MGM Blu-ray for non AI transfer, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Rob Reiner
Best format: UHD Blu-ray
Arrow 4K Blu-ray releasing December 14 2026
Director: David Fincher
Best format: UHD Blu-ray
4K Blu-ray has exclusive “unrated” audio with a small change to one line under the request of David Fincher (removed the poor dub over of frickin’ in the line “Screw it, let’s gut the f**kin’ nerd.”).
Director: John Schlesinger
Best format: UHD Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Fred M. Wilcox
Best format: UHD Blu-ray
Sources: YouTube (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray used what was also originally screened theatrically: The Perspecta Stereo 3.0 and a mono option. The Perspecta track sounds best with better dynamic range and was set as default with the mono as optional. The previous releases stereo were downmixes of a now lost original 4-track, and it sounds very thin as a result. See comparison
Director: John Carpenter
Best format: UHD Blu-ray
Universal 4K Blu-ray. Maybe Turbine Blu-ray instead for better audio?
Sources: blog.sporv.com (opens in a new tab)
1997? Signature Collection LD
Good: 2017 Arrow and 2016 Shout! Factory Blu-ray have the original audio options.
the only track on Universal 4K, which is in DTS:X, has a mixing error of around 6dB too low on side channels, otherwise very similar to other 5.1 mixes.
Director: W.S. Van Dyke
Best format: 1080p Blu-ray
Warner Archive Blu-ray, 4k scan
Director: Martin Scorsese
Best format: UHD Blu-ray
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: George Stevens
Best format: 1080p Blu-ray
Best format: 1080p Blu-ray
Best format: 1080p Blu-ray
Director: Peter Faiman
Best format: UHD Blu-ray
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Best format: UHD Blu-ray
Sources: capelight.de (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US, same black crush as the US disc but encoded by FiM and very good new supplements
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray has MEL Dolby Vision
Best format: 1080p Blu-ray
3D version: Paramount 3D Blu-ray
Paramount 4K Blu-ray on October 26 2026
Director: Billy Wilder
Best format: UHD Blu-ray
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Robert Altman
Best format: 1080p Blu-ray
Criterion 4K Blu-ray scheduled for Dec 2026 release
Director: Richard Linklater
Best format: 1080p Blu-ray
Sources: caps-a-holic (opens in a new tab)
Best format: UHD Blu-ray
Original AR: Paramount 4K Blu-ray
IMAX AR: Paramount 3D Blu-ray
Director: Stanley Donen
Best format: 1080p Blu-ray
Best format: 1080p Blu-ray
Directors: Arturo Perez Jr. & Samantha Jayne
Best format: UHD Blu-ray
Edit history

Every recommendation follows the same method — how these calls are made.





















