Best English-friendly & video release
2K scan of a surviving 35mm safety fine grain provided by the Academy Film Archive
Updated 2 months ago
About the film
A renegade police captain sets out to catch a sadistic mob boss. Preserved by the Academy Film Archive in 2016.
Sources: YouTube (opens in a new tab)
Sourced from a 4K scan of the 35mm Fine Grain. Even with its unfortunate and noticeable print damage, tears, and other issues, still easily beats any prior disc release, though the Imprint BD (same master as Kino, but inferior encode) included in their Essential Film Noir Collection Vol. 3 set does include more extras. https://youtu.be/-Wrsn6-XJCo
Director: Lewis Milestone
Kit Parker Films Blu-ray
4K master from UCLA Film & Television Archive's 35mm photochemical restoration
Director: Lewis Milestone
Sources: moma.org (opens in a new tab)
New 2025 4K restoration by SFFP see MoMA
Director: Lewis Milestone
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
Kino Lorber Blu-ray is much better than the extra in Criterion His Girl Friday Blu-ray. Even though Kino Lorber is the international cut and only restored in HD, and Criterion is the US theatrical cut, and restored in 4K, the Criterion picture quality is atrocious http://www.dvdbeaver.com/film5/blu-ray_reviews_68/the_front_page_blu-ray.htm
Director: Lewis Milestone
Director: Marcel L'Herbier
Same 4K restoration but no comparison available
Director: Frank Urson
Older Restoration: Flicker Alley Blu-ray
2026 Restoration: YouTube 4K Streaming
Older Restoration: Lobster Films DVD
2026 Restoration: YouTube 4K Streaming
Older Restoration: Lobster Films DVD > Flicker Alley Blu-ray (Flicker Alley Blu-ray/DVD has every 25th PAL frame deleted)
Director: Erich von Stroheim
Flicker Alley Blu-ray new 4K restoration
Director: Harry O. Hoyt
Video format: 1080p Blu-ray
Upcoming Flicker Alley Blu-ray Focus on Clara Bow according to their calendar
Director: Herbert Brenon
Video format: 1080p Blu-ray
Upcoming Flicker Alley Blu-ray Focus on Clara Bow according to their calendar
Director: James P. Hogan
Video format: 1080p Blu-ray
Flicker Alley Blu-ray Focus on Clara Bow according to their calendar
Kino Lorber Edison: The Invention of the Movies DVD or Flicker Alley Landmarks of Early Film DVD
Directors: Lois Weber & Phillips Smalley
Video format: 1080p Blu-ray
No comparison available, three options:
Kino Lorber Pioneers: First Women Filmmakers Blu-ray
Flicker Alley Early Women Filmmakers: An International Anthology Blu-ray
Flicker Alley or BFI Chaplin at Keystone DVD
Sources: silentera.com (opens in a new tab)
Flicker Alley or BFI Chaplin at Keystone DVD restoration conflation of two 35mm nitrate prints held by the BFI, see silentera
More Crime on Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are low-passed even though encoded by FiM and has better contrast and highlights compared to Kino Lorber.
MGM DVD/Kino Lorber 4K Blu-ray mono
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Director: Toshiharu Ikeda
UK Third Window Blu-ray and US Error 4444 Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Director: Arthur Penn
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Nicolas Winding Refn
Video format: 1080p Blu-ray
US Magnolia BD
UK Entertainment One release contains directors commentary track
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
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