Behind Every Good Man (1967)
Documentary • 8m
Overview
Behind Every Good Man provides a glimpse into the life of an African American transgender woman in 1960s Los Angeles.
Director: Nick Elliot
Director: Jonathan Demme
Director: Jonathan Demme
Director: George Roy Hill
Director: George Roy Hill
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Clarence G. Badger
Director: Clarence G. Badger
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Frank O'Connor
Director: Frank O'Connor
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Roy William Neill
Director: Roy William Neill
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
More Documentary on Blu-ray
DE Koch Media is presented in the correct 25fps and is likely better compressed than UK Dogwoof (29 vs 14 Mbps), but it doesn’t have English subtitles.
US Drafthouse is in 24fps for Region A compatibility, and is encoded at around 30 Mbps.
(Although bitrate does not solely determine the quality of the encode, the difference is large enough here and there are no publicly available caps.)
No info on the JP VAP Blu-ray.
DE Koch Media and US Drafthouse feature a lossless 5.1 track. Dogwoof offers only AC-3.
DE Koch Media is presented in the correct 25fps and is likely better compressed than UK Dogwoof (29 vs 14 Mbps), but it doesn’t have English subtitles.
US Drafthouse is in 24fps for Region A compatibility, and is encoded at around 30 Mbps.
(Although bitrate does not solely determine the quality of the encode, the difference is large enough here and there are no publicly available caps.)
No info on the JP VAP Blu-ray.
DE Koch Media and US Drafthouse feature a lossless 5.1 track. Dogwoof offers only AC-3.
Director: Bert Stern
Director: Bert Stern
Director: Dwain Esper
Kino Lorber Blu-ray was mastered in 2K and 4K from the original 35mm negatives and several 35mm prints
Director: Dwain Esper
Kino Lorber Blu-ray was mastered in 2K and 4K from the original 35mm negatives and several 35mm prints
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